Whether or not these can compete with the likes of Turtle Beach and more remains to be seen, but Skullcandy’s recent purchase of Astro Gaming should surely help. This past week they announced three new headsets on their website, but we haven’t heard or seen much about them until today.

The SkullCandy SLYR (don’t ask where they came up with that name) will grace their budget offering starting out at around $80, and then the others will increase with the impressive PLYR 2 hitting the $180 mark. The SLYR features a wired headset, a foldable boom-mic for portability, and the usual in-line volume controls and mute those gamers all love.

It looks like SkullCandy will be offering a set of different EQ options with all three new headsets too. Then moving on the more expensive models. The PLYR 1 and 2 offer awesome sound, exceptional design and colors, and the same foldable boom-mic. They’ll run you $130, then the more expensive PLYR 2 hits the $180 mark having a $50 premium simply for Dolby Digital headphone surround sound virtualization features. More details can be found at Skullcandy for those interested.

[via Engadget]

The BH320 USB Stereo Earbuds uses five-band parametric equalization that optimizes the sound quality on both the microphone and speaker to create the experience of normal speech in the same room. Echo cancellation technology helps make speech even more clear to those on the other end of the line.

The earbuds come in a sleek black finish with brushed aluminum accents and weighs just over one ounce. It has a six-foot cord and can be stored in a complimentary travel pouch. In-line controls include volume up, volume down, mute, call answer, and call end, eliminating the need to even touch the keyboard or mouse. The earbuds are priced at $79.99 and are available now.

[via Market Watch]

The Trigger features 40mm diameter neodymium drivers for high quality audio with crystal-clear highs and a deep bass. Its ergonomically designed over-the-ear cushions provide extreme comfort and its flexible performance mic can be adjusted to align with your mouth perfectly. The in-line audio controls lets you separately adjust game volume versus in-game chat volume.

The headset is designed with everything you need to connect to your Xbox 360 and includes all the necessary cables and adapters, including HDMI and VGA to ensure that it will work with either legacy or current-gen consoles. The Trigger stereo headset is priced at $50 and is shipping now.

[via Engadget]

The Logitech Wireless Headset connects to your iPad, iPhone, or iPod touch via Bluetooth and features laser-tuned drivers to produce rich stereo sound while minimizing distortion. The attached microphone features noise-canceling technology so that your voice comes across clear for either voice calls or FaceTime video chats. The rechargeable battery is rated for up to 6 hours.

The Logitech Wireless Boombox also connects to your iPad, iPhone, or iPod touch via Bluetooth. It features two 3-inch laser-tuned neodymium drivers along with two half-inch neodymium tweeters and four 2-inch passive radiators for a rich mid-range, crisp high notes, and a deep bass. It also offers a 3.5mm jack for connecting to other media players and its rechargeable battery is rated for up to 6 hours.

The Logitech Wireless Headset and the Logitech Wireless Boombox are both available now and are priced at $69.99 and $179.99, respectively. For more information, you can visit Logitech’s product pages.

The Jabra SPORT and Jabra SPORT-Corded differ only in that one is completely cordless with Bluetooth while the other comes with cords for those who are accustomed to having them. They both feature A2DP technology, powerful bass, wind-shielded microphone, and category-first built-in FM radio along with easy-to-use controls.

They also come with a free download of Endomondo Sports Tracker that helps keep track and motivate runners with quick updates on speed, distance, and lap time using smartphone GPS tracking. The Jabra SPORT Bluetooth headset is priced at $99, while the Jabra SPORT-Corded stereo headset is priced at $69. Both will be available at Apple, Sprint, and T-Mobile stores. They will also be available on Amazon in September.

The Bluetooth stereo headphones feature technology that, when we asked, went nameless that brings some pretty amazing “true to life” audio. The headphones are remarkably lightweight, thanks to the aluminum hardware. The ear-pads are made from leather, which helps with the comfort. The connectors inside the headphones are gold-plated, making sure that you always get high-fidelity sound.

The stereo headphones are designed specifically for Apple’s iPod line-up, as well as the iPhone. They feature a folding design as well, making it easy to carry. The two year replacement warranty is in full swing as well.

Who’s Jerry Harvey?

The name Jerry Harvey might not be familiar to most, but the company he founded in 1995, Ultimate Ears, has carved a niche for itself with legendary reputation. Acquired by Logitech in 2008, Ultimate Ears began with Harvey’s quest to make the perfect earphones for Van Halen, replacing the traditional stage monitors with handpicked components (including a speaker intended for pacemakers) slotted inside a custom-molded shell. The IEMs were a hit; orders from pro musicians rolled in, and the company grew from there.

(photo credit: the-jude)

Along the way, the range expanded to cover non-custom earphones all the way up to the high-end IEMs Ultimate Ears was famous for. The consumer range runs in parallel with UE’s musician line, classed by the amount of external noise reduction on offer. Meanwhile, Harvey himself stepped back from the business, eventually dropping off the consumer product radar altogether a few years back, and focusing on setting up a new company, JHAudio, that until 2009 concentrated on IEMs for pilots.

Turns out you can’t keep Harvey’s interest in earphones down, and soon JHAudio was pushing out a range of IEMs targeted, not at pilots, but at the reasonably well-heeled audiophile. There are no non-custom models in JHAudio’s line, and as such they kick off at $399 with the JH5 Pro. At the other end of the scale, meanwhile, are the JHAudio JH16 Pro IEMs, $1,149 of custom earphone and the subject of this review.

If it seems strange to lead into a review with the back-story, consider the heritage. Dropping over a grand on anything requires some faith, especially when you can’t try it out beforehand, and so Harvey’s track record in the audio industry counts for a lot.

Getting molded

As with any custom earphones, your journey starts with some mild discomfort. Having ear impressions taken is never pleasant, but it’s a reasonably quick process (involving fast-setting gunk being injected into your ear canal, to get a cast of its exact contours). That goes off to JHAudio to form the basis of a pair of unique IEM shells, and we were particularly impressed with the turnaround time – around five days (including a weekend) between the company receiving our impressions and the JH16 Pro IEMs being out for delivery.

JH16’s Essence, Form and Fit

They arrived in a waterproof Otterbox case, complete with a personalized nameplate, together with a soft carrying pouch and a wax-removal tool (basically a stick with a wire loop on the end). JHAudio offer a choice of 53 different shell color options (in both translucent and solid finishes) together with optional custom artwork if you send them a high-resolution image; you can see the SlashGear roundel on each side of our review set. The headphone cables – available in either clear (so you can see the silver wire inside) or black – are detachable, and JHAudio sell 18-, 48- and 64-inch replacements.

We’ve no issues with the fit, either: slot the extended canal tube into the ear, roll the earpiece back and then pushing the top edge under the helix locks it into place. It’s a comfortable, tight fit, and required no adjustment. The noise reduction – a quoted -26dB – was instantly noticeable and significant; they certainly knock out more environmental sound than Sleek Audio’s CT6 customs (which admittedly are less than half the price of the JH16 Pros). It’s a very isolating experience, and means you can turn down the volume of whatever source you’re using and still pick out all the details; that’s better for your ears and better for the battery on your PMP.

JH16’s Gut and Glorious Listening Experience

A slick casing is pointless without the components inside to back it up, mind, and the JH16 Pro IEMs certainly deliver on paper. The 16 refer to the total number of drivers: dual high, dual mid and double dual bass, amounting to eight per shell. The company quotes a frequency response range of 10Hz to 20kHz, along with 18 Ohms impedance. Rather than a single bore there are three individual tubes running to the high, mid and bass drivers, intended to reduce any phasing between the different frequencies. Finally there’s an integrated 3-way crossover.

The old adage “garbage in, garbage out” is particularly true here: if you try to make do with the 128kbps MP3s you downloaded from Napster five years ago, you’ll be sorely disappointed. We fed the JH16Pros with lossless audio files instead, though it’s worth noting that you’ll get an even better result if you use a proper headphone amp in-between your PMP and the IEMs.

Even without such an amp, the quality is immense. Where Sleek Audio take your own custom sound balance preferences and hard-code that into the CT6′s, the JH16 Pro IEMs are more even in their profile. It’s transparencies that lend itself to every musical style; the bass, mids and treble are all separated out across the soundstage and clearly differentiated, relying on the original recording for their levels rather than artificial EQing.

Bass bypasses the blurred, overwhelming thump of less capable earphones and instead is kept delineated and precise. In jazz and country that means each slap, rasp and kick is crisp and clear, but the IEMs are equally at home with the fast-moving baselines of dance and rap. The heavily quantized beats of electronic music, meanwhile, are robust and rapid, but the JH16 Pros never feel like they’re tripping up or suffering from the pace. If you’re a bass addict you might be tempted to reach for the equalizer to tweak up the lower frequencies, but holding off reveals a more textured, layered soundscape.

Mid frequencies can often be the dull filling in the sandwich, with earphone manufacturers relying on a heavy bottom end and sparkling trebles to bracket an underwhelming middle section. Happily JHAudio shows no such laziness, particularly noticeable during vocal recordings. Here, there’s a definite precision, with little of the gumming that cheaper earphones can produce when the mids blend with the high and low ends. In return, the 3-way crossover shifts some of the low-mid percussion into the higher end of the bass driver, leading to a generally warmer sound with a little more reverb.

Over-tuning the treble end of a set of headphones is an easy short-term way to make them seem lively and bright, but it’s tiring over extended periods. The JH16 Pros take the preferable approach of a more natural top end, full of shimmer but enough control to avoid sibilance or hiss. Strings arch and echo beautifully, while the glitchy, squelchy stabs of electronic music crackle with tightly controlled venom. Brass, meanwhile, is bright and sharp without being shrill.

Each section is pure and open in its own fashion, but together there’s an immersive quality akin to sitting among the musicians rather than in front of them. Music has more energy, the minute details of high-resolution recordings offering previously unheard detail: the subtler baselines, the breath of vocalists. Live recordings are even more enlightening, the movement of musicians and their collective energy coming through in the immediacy of the JH16 Pros’ reproduction.

It’s tough to do audio justice when all you have are words; harder still when, as with the JH16 Pro, the custom nature means you can’t pass them round to get a group opinion. You might expect the level of transparency on offer to leave recordings feeling cold, lacking in some energy, and yet there’s just enough color for them to avoid feeling sterile – tuned for scientific track balancing rather than musical enjoyment – like pure studio monitors.

Best of all is that their tonality evolves and matures over time, as the IEMs go through their burn-in process. With that, we’ve found, our enjoyment of various musical styles has developed, and the elements that we pick out and remember grow more complex.

JHAudio JH16 Unboxing and hands-on

Conclusion

Are they perfect? Not quite; the harder plastic hoops that shield the headphone cable as it exits each earphone can be tricky to place if you’re wearing glasses or sunglasses; moreover their scraping on those glasses is transmitted directly into your ear. The clear cable is also prone to discoloration from the body’s natural oils – something JHAudio do warn can happen in their FAQ – turning green in the process. No audible impact, of course, but aesthetically less than pleasing.

Still, they’re minor issues in a set of IEMs that are otherwise hard to critique, certainly in pure audio terms. The biggest hurdles are price and, ironically, audience. The former is obvious: $1,149 is a huge amount to spend on a set of earphones, more than most would consider laying down on a PMP or even a home speaker system. The latter is trickier, as it’s about the quality of the audio files you want to listen to. If your digital music collection is a hash of different bitrates and hefty compression, you’ll want to revisit – and re-rip – the originals in order to make the IEMs worthwhile. Take that time, and justify that expense, and it’s hard to imagine the JHAudio JH16 Pro IEMs any but totally amazing. [JHAudio homepage]

Final-final thought, I’ve retired my long time Sleek Audio customs. May you RIP.

The wireless headset uses digital IR technology to give the gamer a wireless range of 25 feet letting them play in big rooms without having to sit close to the Xbox. The headset also promises no interference with WiFi adapters.

The headset uses 40mm Cobalt magnet Drivers with an impedance of 32 Ohm. Power for the headset is from a pair of AAA batteries and the Primal headset ships in versions using adapters for Europe or the US. Rude also says that the headset works for PCs and the PS3 as well. You can pick up the Primal Wireless Headset for $99.99.

The various buttons – for call answering, volume, playback and track control – are all mixed into various Stargate-esque glyphs, and there’s also a watch function too.  You’ll need to be able to decipher it, though, since Tokyflash are using their usual obscure code of different LEDs.

Unlike earlier estimates, the Kisai Escape C actually comes in under budget.  Having been told to expect a sticker price of $150 to $180, Tokyoflash are actually selling the Bluetooth pendant for $107.42, with a choice of various necklace styles from plain cords through braids and chains.

The keyboard also gets quick access to volume, mute and audio controls, though not the audio or USB ports from the SteelSeries 7G.  As for the headset, that breaks down into four pieces for easier transportation, has interchangeable leather or foam ear cushions, and features a retractable microphone arm.  A USB version is also available with virtual 7.1 surround sound support.

The SteelSeries 7H headset is available for preorder now, priced at $119.99, while the USB version – the SteelSeries 7H USB – is $149.99.  As for the SteelSeries 6Gv2, that’s up for preorder for $99.99.

Press Release:

SteelSeries Introduces New Mechanical Gaming Keyboard: the 6Gv2

Modeled After the Award-Winning SteelSeries 7G, The New 6Gv2 is the Straight to the Point Gaming Keyboard Option

CeBIT 2010
HANOVER, Germany–(BUSINESS WIRE)–SteelSeries, the leading manufacturer of gaming peripherals and accessories, today, during CeBIT in Hanover, Germany, introduced the SteelSeries 6Gv2 keyboard. Designed with 18-karat gold-plated mechanical switches, the keyboard offers quicker reaction times and advanced key combinations for more Actions Per Minute and a lifetime more than 10 times that of conventional keyboards.

Like the SteelSeries 7G, the new keyboard utilizes a powerful buffer-system created specifically for gaming, supporting as many simultaneous key presses as there are keys on the keyboard. The “anti-ghosting” feature allows users in first person shooter games to move, crouch, aim, fire and even check the scoreboard, simultaneously. The SteelSeries G product line is the only series of keyboards on the market that allows this type of functionality all at once.

“We’ve been watching professional teams such as Fnatic, SK Gaming, Evil Geniuses and others win grand slam tournaments with the 7G as their weapon of choice and have seen it recognized as one of the most impressive performance keyboards on the gaming market. Keeping that rockstar mentality, we designed the slimmed down SteelSeries 6Gv2 to pack the same punch without compromising response time, durability or performance.” said Bruce Hawver, SteelSeries CEO.

The new keyboard will incorporate SteelSeries’ Media Controls allowing quick access to volume, mute and other audio controls. Features not present in the keyboard, compared to the SteelSeries 7G, are the audio ports for headphone-in and microphone-out, the two USB ports as well as the removable plastic handrest.

The mechanical tactile system is ergonomically designed to ensure ease-of-use, while the no-click switches and iron-infused plastic makes SteelSeries G Series of keyboards both comfortable and durable. The SteelSeries 6Gv2 also has a switch lifetime of 50 million operations, which is more than 10 times the lifespan of a typical “membrane” keyboard known for a maximum of only 1-5 million total keystrokes in a lifetime.

The SteelSeries 6Gv2 Keyboard is available now for pre-sale at Amazon.com for an MSRP of $99.99 USD.

Press Release:

SteelSeries Introduces the 7H Headset

The Newest H Series Headset Provides Gamers With Superior Noise Reduction and High-Quality Sound In A Durable, Easy-Travel Design

CeBIT 2010
HANOVER, Germany–(BUSINESS WIRE)–Kicking off CeBIT 2010 in Hanover, Germany, SteelSeries, the leading manufacturer of gaming peripherals and accessories, introduced the new high-end SteelSeries 7H headset. Designed and built for competitive gamers, the SteelSeries 7H presents a superior soundscape in an exclusive design that travels well and offers two ear-cup choices, hear-through cloth and noise dampening leather.

“We’re introducing the SteelSeries 7H as our high-end headset for gamers who want choices in the type of comfort and sound they need to experience”
The SteelSeries 7H headset features 50mm drivers in the ear-cups which fully cover the ear and delivers a clean soundscape of high, low and mid tones from background, mood setting sounds in MMO games to 3D positional alerts in FPS games. The closed-type headset features superior passive noise reduction, specifically developed in cooperation with competitive gamers for use at loud tournaments and LAN-events. The SteelSeries 7H additionally comes with two interchangeable ear-cushions that offer the option of leather cushions with noise dampening foam or hear-through cloth covered foam.

“We’re introducing the SteelSeries 7H as our high-end headset for gamers who want choices in the type of comfort and sound they need to experience,” said Bruce Hawver, SteelSeries CEO. “The 7H features were developed based on direct feedback from our sponsored Counter-Strike and QuakeLive players, who need to hear their teammates while practicing at home and need to eliminate external noise while competing at loud tournament venues.”

The new SteelSeries 7H all black stealth design features subdued chrome elements around each ear-cup and at the base of either side of the headband. Easily dismantled into four pieces, at the headband, the right and left ear-cup, and at the cord, the SteelSeries 7H is ideal for tournament players who travel often. Its left ear-cup features a retractable, uni-directional microphone that can be hidden when not in use. The durable braided cord is detachable, offering both safety and travel convenience and features a built-in volume and microphone control. An additional 2m extension cord is included for extra convenience.

The SteelSeries 7H headset is available now for pre-sale at Amazon.com for $119.99 USD.

A USB version of the SteelSeries 7H headset is also available, offering optimized sound profiles for first person shooter (FPS), massively multiplayer online (MMO), and real-time strategy (RTS) players as well as customizable environmental settings. The USB version provides 7.1 virtual surround and ensures gamers the exact same sound and settings no matter where they are in the world or at what computer they are playing. The SteelSeries 7H USB is also available at Amazon.com with an MSRP of $149.99 USD.

Jabra’s position is that you don’t need a boom for decent audio pickup, and to prove it they’ve sliced the Stone down to the bare minimum. A tight, pinched in loop, it has an ear hook that twists round, over the top of the ear and down to the canal, broadening as it goes, and with a small rubber-clad speaker on the inner edge. Build quality is very high, though given the fixed nature of the ear hook this is a headset for the right ear only.

Like other Bluetooth headsets we’ve seen recently, the Stone comes with a combination case/charger that can be used not only to store but also recharge the earpiece. In fact, this charger is where the Jabra gets its name from; when clicked into place, the Stone resembles just that, a stone. The internal battery in the Stone itself is good for up to 2hrs; it relies on up to three top-up charges from the 6hr battery in the case to reach Jabra’s quoted 8hrs runtime.

On the downside, there’s no easy way to charge the headset portion directly: it uses a proprietary connection with the charger (the latter has a more typical microUSB port for the AC adapter), and if you lose, misplace or forget it then you’re stuck with 2hrs and no more. Standby time is rated as up to a healthy 12 days – headset in charger, and both from fully charged and actively paired with your phone – and it takes around an hour to recharge the headset completely. An optional hook allows you to clip the charger to your belt for ready access.  The belt clip is made from a flexible plastic so that it can hook onto a variety of materials — best used on coats, jackets, etc.

Like the HALO stereo Bluetooth headset we reviewed last month, Jabra have used a mixture of touch-sensitive and actual buttons for controlling the Stone. The Jabra logo is, in fact, a multi-purpose button – powering on or off requires a long hold, a single tap answers or ends a call, and clicking twice in rapid succession redials the last number – while sliding your finger up or down the header adjusts the volume. There’s support for voice dialing, if your cellphone supports that, together with the Bluetooth A2DP stereo profile; the Stone will combine the stereo tracks into a single, mono track for one ear, but it’s handy for quickly previewing a song or YouTube video. Multiuse (aka Multipoint connectivity) means you can have two devices paired at once, and there’s a discrete battery and Bluetooth status display rather than a cluster of bright blue, blinking lights.

Comfort levels proved very high, a combination of the Stone’s light weight (0.25oz), balanced design and the over-the-ear design not leaving the headset supported solely by an in-ear plug. While there’s no boom arm, it’s still not the most discrete of headsets – it’s pretty noticeable slung over your ear – but at least it’s not too ostensibly “space age”.

As for sound quality, given our exceptionally positive experiences with Plantronics (which resolutely do use a boom) recently we were skeptical of quite what Jabra’s Noise Blackout Extreme DSP might be able to achieve. Jabra claim up to 24dB of ambient noise reduction (twice that of their original system), using twin microphones and some clever processing that works out the direction of noise, background chatter and traffic based on sound delay between the pickups. How exactly it works we don’t quite know, but work it does. Sound quality in loud areas is high, with the Stone managing to deliver not only speech of the wearer but intonation and other nuances; in short, you sound less roboticized than with other systems. Similarly wind noise is sliced out of the conversation, with callers reporting little in the way of either background hiss, volume jumps or lurches, or cut-outs that can plague cheaper headsets.

Together, that adds up to a very successful Bluetooth headset, one that manages to deliver sound quality we’d associate with a full-boom rival and the comfort of a much smaller device. The lack of a non-proprietary port on the headset itself – meaning you have to carry the charger “stone” – is a potential frustration, as is its limitation to the right ear, but if you’ve rejected other headsets for being too obvious or too “call center” in their design then the Jabra Stone’s sleek shape could solve that without impairing audio quality. Priced at $129 when it arrives exclusively at AT&T stores from November 8th, it’s the same cost as the Plantronics Discovery 975 and the Jawbone PRIME; both are distinctive and well performing, but we’d plump for the Jabra Stone for its surreptitious style and excellent audio quality.

The MH907 headphones are visibly no different to a standard hands-free kit, with a pair of chrome-effect plastic earbuds and a chunky chrome-effect microphone block. There are no hardware controls; instead, the MH907 uses capacitive touch sensors in the earbuds to track whether you’re wearing them. That “intelligence” relies on the host device to process what the MH907′s sensors are saying, which means you’ll need a Sony Ericsson device with the company’s proprietary Fast Port connector.

Plugged in, a new menu shows up in the Accessories list on a SE device’s Settings page. This allows you to switch the sensors on and off (off, they work just as a pair of headphones), change the default action (Music Player, Radio or Off) triggered when you insert both earbuds into your ears, and view the software version. The default behavior sees the MH907 load up the phone’s Music Player when you put in the earbuds, and start playing a track; subsequently taking one or both out pauses the music. If the Music Player or Radio are already active, merely putting in a single earbud will begin playback.

Should a call come in, meanwhile, putting in one or both earbuds will automatically answer it and switch on the MH907′s microphone. Pulling them out then ends the call. If, say, you’re already listening to music when the phone rings, pulling out a single earbud and then reinserting it pauses the music and answers the call. To prevent accidentally pausing audio or cutting off a call if you mistakenly yank out an earbud, there’s a two second delay; that proved just enough to not introduce a frustrating pause, but enough to give us time to fumble the earbud back in.

In fact, the system works very well in general. Sony Ericsson wisely haven’t attempted to stuff the MH907 with different functions – there’s no complex tapping or multiple inserting/removing codes for track skipping or speed-dials – which means the headphones pretty much always do what you expect of them. Switch on the “Play caller name” feature found on some of the company’s cellphones and you won’t even have to pull the phone out to see who’s calling. Sony Ericsson’s supplied rubber ear-plugs come in three sizes, which meant we had little trouble finding a set that fits, and there’s also a small clip which you can optionally use to keep the cord from flailing.

As for sound performance, at €39 ($58) the Sony Ericsson MH907 headset isn’t going to best, say, a dedicated pair of mid- to high-end aftermarket music headphones, but it holds up well to the standard wired handsfree kit bundled with most cellphones. Bass lacks some definition and the trebles aren’t quite as crisp as we’d like, but this is certainly par for the course given the price point. Voice call performance, meanwhile, produced no complaints.

Our biggest disappointment, then, is the fact that SensMe is limited to Sony Ericsson devices. We’d like to think that future models of headset might put the brains of the system into the microphone block, rather than rely on the phone, translating the touch-sensors messages into standard wired remote pulses as used by most mainstream handsfree kits. That way you could have a standard 3.5mm plug and use the headphones with any mobile device. Still, we can’t blame Sony Ericsson for wanting to keep SensMe to its own users, at least initially; the MH907 headset isn’t going to convert you to the company’s cause, but it’s an upgrade existing owners should definitely consider.

The cord is 1.2m and its plug gold-plated, and the headphones are rated for 12Hz ~ 24kHz, sensitivity at 107dB/mw and impedance at 24Ω.  Nothing earth-shattering, true, but reasonable for the price.

The Sony MDR-770LP headphones are available to order in Japan now, priced at 5,900 yen (pre-tax; $64).  No word on whether they’ll be available in the US or Europe, but we imagine it’s pretty likely.

[via Sony Insider]

Video after the cut

That means you can answer a voice call by putting a single earbud into your ear, or boot up the mediaplayer on your Sony Ericsson device by putting in both earbuds.  The MH907′s will automatically start playback, and if you take out a single ‘bud mid-song – such as to thank a kindly bus driver, or berate an elderly person – it will pause the music.

If you’re listening to music and a call comes in, meanwhile, you can pop one bud out and then back in to answer it; afterward, the music starts up again.  Only Sony Ericsson phones with the company’s “fast port” connector are compatible, but we’d love to see SensMe licensed to other manufacturers.  More details here; they’ll go on sale in gold or black for €39 ($57) this week.

That means you can use the X735 with either the supplied headphones or your own; there’s also a microphone built into the clip, for use on calls, and the volume rocker can also skip tracks.  The display, meanwhile, shows caller ID together with guiding you through Bluetooth pairing, and can have its orientation flipped depending on which way round you choose to clip it.  The battery is good for up to 7hrs talktime, 6hrs of media streaming or 150hrs standby.

As for the Nitrox X835, that’s a larger device intended to be used not only in the car but as an impromptu speakerphone.  It too has an OLED display for caller ID and the like, together with a large multi-function button, side-mounted volume controls and a hold switch for use when transporting it between car and office.  Nitrox supply a detachable metal clip to attach the X835 to your sun visor, and there’s not only an accelerometer that flips the display depending on which way around the device is being used, but vibration sensors that can automatically power it up and begin the re-pairing process when it feels the car’s engine has started.

Like the X735, the X835 supports the Bluetooth A2DP stereo profile, though it only has a mono speaker.  What it adds, though, is DSP and noise-reduction, using a three-microphone array.  The battery is good for up to 15hrs talktime or 400hrs standby, and like the X735 recharges via a mini USB connection.

In our brief hands-on with the pair, both seemed well put together and sturdy, and sound quality from the X735 was surprisingly good even through the standard earphones.  As is often the case, the OLED displays were bright and clear, and made setting up connections straightforward.  We’ll be spending more time getting to know both devices when our review units arrive.

Video demo after the cut

Meanwhile Canadian Best Buy stores will get the HALO sometime in October.  The headset can be used for both music and hands-free calling, with 8hrs of talktime and up to 13 days of standby; it automatically fades out music playback whenever there’s an incoming call, and it’s compatible with cellphones, PMPs (including the iPod touch), laptops and the like.  Two Bluetooth devices can be paired at a time.

There’s also a 3.5mm headphone cable in the box, just in case your battery is running low, and a nifty touch-sensitive volume control strip on the earpiece.  It’s already listed as in stock on Best Buy’s site, priced at $129.99.

Said to be currently in the development phase, the peripherals will attempt to deliver both comfort and accuracy.  They’re two elements you’d assume all gamers (in fact all computer users, for that matter) would demand, but StarCraft II players are obviously special.

No word on pricing or specific availability – just like the game itself, which is hovering in the rumorverse between late 2009 and early 2010 – for the three main peripherals from Razer.  However the company will be flaunting their messenger bag at the BlizzCon gaming convention later this month.

Press Release:

Razer Takes Command With First Tournament Grade Gaming Gear Themed after Blizzard Entertainment’s StarCraft ® II

Carlsbad, Calif. – Aug 11th, 2009 – Razer™, a leading manufacturer of high-end precision gaming and lifestyle peripherals, has joined forces with Blizzard Entertainment, a premier developer and publisher of entertainment software, to co-develop StarCraft® II gaming peripherals powered by Razer technology. With the upcoming launch of StarCraft II, Razer and Blizzard Entertainment are collaborating on bringing gamers a quality tournament-grade mouse, keyboard and headset specifically designed to maximize the StarCraft II gameplay experience.

“It has been a little over a decade since StarCraft first rocked the video game industry and began a legacy that continues to this day,” said Robert “Razerguy” Krakoff, president, Razer USA. “We’re extremely excited to be working with Blizzard Entertainment on the StarCraft II gaming peripherals and gear. The project is in the development phase with a focus on serving up innovative features while offering precision, cutting-edge technology, accuracy, speed and comfort.”

“Razer’s high-quality gaming products have long been popular among our global community of players, and we’re pleased to now be collaborating with them directly,” said Paul Sams, chief operating officer of Blizzard Entertainment. “Through this partnership, we’re looking forward to working with Razer to develop a line of peripherals that will complement the fast-paced action of StarCraft II.”

The first Razer StarCraft II tournament level gaming peripherals are poised to revolutionize the RTS category. The new line of professional gaming peripherals are engineered and designed from the ground up with unique exclusive features to cater to the StarCraft II community. Razer will incorporate its expertise in design, ergonomics, technology, and professional gaming peripherals to give StarCraft II gamers the competitive edge.

In addition to the co-development of Razer StarCraft II gaming peripherals, Razer will design an exclusive StarCraft II messenger bag, backpack, and E-Sport Pro Gamer Case. Razer will showcase the StarCraft II messenger bag at the upcoming BlizzCon® gaming convention, to be held August 21-22 at the Anaheim Convention Center in California. Razer will also showcase its full line of gaming gaming-grade peripherals, including the Razer Lycosa™ keyboard, Razer Carcharias™ professional PC gaming headset and the Razer DeathAdder™ gaming mouse.

As for the Logitech G-Series Gaming Headset G330, that goes in the other direction and drops weight so as to be more suitable for long-periods of wearing.  It also uses a soft silicone-lined headband and pivoting ear pads, with a steel-spring core for durability.  The microphone offers noise cancellation, and there are in-line volume controls; connection is either via two 3.5mm plugs or a bundled USB adapter.

Both the peripherals will go on sale in the US and Europe come September.  They’ll be priced at $69.99/£69.99 for the G500 Gaming Mouse and $49.99/£49.99 for the G330 Gaming Headset, as sure a sign as any that UK gamers are getting price-gouged compared to their US counterparts.

Press Release:

The Gear That Gets You There: Logitech Serves Up New G-Series Gaming-Grade Mouse, Headset

Logitech Gaming Mouse G500 Refreshes Popular Logitech G5 Laser Mouse with Latest Gaming-Grade Laser Engine, Logitech Gaming Headset G330 Delivers Comfort That Won’t Quit

LONDON. – Aug. 6, 2009 – When there’s sweat on your brow, and it’s way too late to turn back, it’s time to choose wisely. To help you make the right choice when victory is on the line, Logitech (SIX: LOGN) (NASDAQ: LOGI) today unveiled extensions to its award-winning G-series line of gaming peripherals: the Logitech® Gaming Mouse G500 and the Logitech® Gaming Headset G330. The Gaming Mouse G500 refreshes the popular Logitech® G5 Laser Mouse with the latest gaming-grade laser engine and a battle-worn appearance, while the Gaming Headset G330 delivers comfort that won’t quit – even after long hours of battle.
“As more and more people make gaming in the living room with family and friends the new night out, Logitech continues to push the envelope with the Logitech G-series.” said Ruben Mookerjee, Logitech’s director of product marketing for gaming. “If you’re getting serious about gaming – or have already seen the light – then the best way to dive ever deeper into the game is by putting the G500 mouse in your good hand and the G330 headset on your head. Victory is up to you.”
“Gaming is fast becoming a mainstream social phenomenon,” said Yehia Oweiss, Logitech’s Regional Director, UK & Ireland. “Our newest PC gaming peripherals help gamers improve their gameplay in comfort.”
For gamers, especially the more than 11 million people playing World of Warcraft® or the millions on a tour of Call of Duty®, the Gaming Mouse G500 and the Gaming Headset G330 help ensure that every late-night gaming session is victorious.
Logitech Gaming Mouse G500
The successor to the classic Logitech® G5 Laser Mouse, the Logitech Gaming Mouse G500 delivers game-changing precision at any hand speed. With its gaming-grade laser engine you can rev up your intensity – reaching a maximum hand speed of 165 inches per second (ips) and a maximum acceleration force of 30 gs. An on-the-fly adjustable-dpi gives you the right level of precision – from pixel-precise targeting (200 dpi) to lightning-fast manoeuvres (up to 5700 dpi) – for whatever game you’re playing. (The dpi can be adjusted, after installing the Logitech® Gaming Software, in increments of 100 dpi). Plus, full-speed USB helps ensure that the G500 mouse is smooth and responsive.
But the G500 mouse offers much more than precision. A rugged finish offers a battle-worn accent to your gear. And an updated shape – with a broader thumb rest and a smoothed-out pinkie ledge – makes the new Logitech gaming mouse more comfortable when you’re in the heat of competition.
When you’re ready to battle, the onboard memory lets you save and take the settings for your favourite title with you – no software required. If you’re sensitive to weight, the G500 mouse offers weight tuning, including up to 27 grams of extra weight for personalised feel and control. The additional weights fit into a removable chassis and, when not in use, can be stored in the accompanying case. A dual-mode scroll wheel – with hyper-fast scrolling for those times that you have to work – provides click-to-click scrolling that’s perfect for weapon selection. And ten programmable buttons put valuable macros in your hand.
Logitech Gaming Headset G330
Even when gaming casualties are heavy, your Logitech Gaming Headset G330 isn’t. The lightweight G330 headset combats fatigue with its adjustable, behind-the-head design – the first of its kind for gaming headsets – that slides for a personalised fit. To further relieve common pressure points on your head, the G330 headset features a soft silicone-lined headband and pivoting ear pads. And with durable steel spring at its core, the flexible headband is designed to withstand the wear and tear of furious battle.
A noise-cancelling microphone reduces annoying background noise and rotates out of the way when you’re not using it. The in-line audio controls let you adjust the volume or mute the microphone without pausing the action. An included USB adapter lets you choose to connect digitally to any USB port for enhanced audio or directly to your PC sound card via 3.5 mm jacks.
Pricing and Availability
The Logitech Gaming Mouse G500 is expected to be available in the UK in September for a suggested retail price of £69.99. The Logitech Gaming Headset G330 is expected to be available in the UK in September for a suggested retail price of £49.99.

Video after the cut

The CDMA version of the smartphone will therefore work with both HTC’s standard ExtUSB headset as well as any other 3.5mm hands-free headset or plain headphones.  It’s seemingly part of HTC’s plan to put a 3.5mm audio socket on all of its upcoming devices, though we didn’t expect them to start with a phone already available in other markets.

Otherwise, aside from the CDMA radio, the smartphone is the same as the Touch Pro2 we reviewed earlier in the month.  No word on specific release date in Canada as yet, nor when it might make it south to Verizon in the US.

[via WMExperts]

When plugged into the headphone jack of the new device – such as when you upgrade to a new iPod or iPhone – the headphones would transfer this information and thus instantly set it up with your preferred settings.  Apple also describe a headset which could be controlled via gestures to a control section; for instance by sliding a finger down the microphone section of a hands-free headset, the volume of the PMP could be changed.

It seems unlikely that the flash memory involved would be too great – after all, if you were backing up your entire media collection onto your headphones, then you may as well use your headphones as an MP3 player – but for essential information or frustrating (or easily forgotten) settings like network passwords it could be a real time-saver.  While the patent application does not specifically refer to it, it’s also possible that the headphones could be used to temporarily swap settings, such as when listening to another person’s PMP and wanting to use your own equalizer settings, or even to transfer basic data such as PIM or contact details.

[via Unwired View]

The range is similar to that offered by Bluetooth, at around 40 feet, and the Plantronics system also includes control of volume, play and track skips in iTunes and Windows Media Player from buttons on the headset itself.  The microphone features noise-canceling technology and automatically mutes when raised into the upright position.

The Plantronics .Audio 995 Digital Wireless Stereo headset is available in the US and UK now, priced at $109.95 and £79.99 respectively. 

Press Release:

Plantronics Introduces New Wireless PC Headset for Enhanced
Multimedia and Voice Experiences

The .Audio 995 Wireless Headset Provides Digital Stereo Sound for
Music, Movies, Gaming and Internet Calls Without the Cords

London – May 27, 2009 – Plantronics, Inc. (NYSE: PLT) today introduced the new .Audio™ 995 Digital Wireless Stereo Headset for multimedia and voice applications on the PC. The .Audio 995 combines rich digital stereo sound and great voice quality to provide users with a single headset for all of their PC activities — including music and movie listening, gaming, PC calls and podcasting — without the cords.

The Plantronics .Audio 995 headset utilizes advanced Plantronics audio technology and the digital 2.4gHz frequency for exceptional audio and lower interference with other wireless devices. Users can wirelessly roam up to 40 feet away from the PC and remotely control volume, play and skip tracks on iTunes® and Windows Media Player® via music controls directly on the earpiece.

“Consumers shouldn’t have to decide between superior audio quality and the benefits of wireless when selecting a PC headset,” said Matt Miller, director of PC and Entertainment at Plantronics, Inc. “Unlike other wireless products on the market today, there are no compromises with the .Audio 995. We designed it to enhance the array of multimedia and voice-intensive activities that PC users perform everyday through full-range stereo sound, clear audio and a comfortable fit.”

The Plantronics .Audio 955 includes pillow-soft, swivel-mounted ear cushions and a lightweight design for long-wearing comfort. The headset features Plantronics’ noise-canceling Fast Mic Mute™ technology, which quickly mutes audio when the boom is raised. Users can connect the .Audio 995 in one simple step with the plug-and-play wireless USB connector.

Pricing and Availability
The Plantronics .Audio 955 is priced at £79.99 The product is also available at www.plantronics.com . For more information about the .Audio 995, please visit www.plantronics.com .

About Plantronics
In 1969, a Plantronics headset carried the historic first words from the moon: “That’s one small step for man, one giant leap for mankind.” Since then, Plantronics has become the headset of choice for mission-critical applications such as air traffic control, 911 dispatch and the New York Stock Exchange. Today, this history of innovation is the basis for every audio product we build for the office, contact center, personal mobile, entertainment and residential markets. The Plantronics family of brands includes Plantronics, Altec Lansing and Clarity. For more information, go to www.plantronics.com

Video demo after the cut

Sound quality seemed reasonable – as much as we could tell from the noisy show floor – but we’ll need to spend more time with the Jabra HALO to see if the company’s inclusion of Zirene Power Bass makes a significant difference.  Still, they’re comfortable and flexible: a 3.5mm input and supplied cable means you can still use the HALO headset with non-Bluetooth mediaplayers.  It’ll go on sale on May 1st, with an MRSP of $129.99.

As for the Jabra SP200, it’s surprisingly small and the controls are as straightforward as you’d want for an entry-level speakerphone.  The huge volume dial is a nice touch, as is the microUSB connector for recharging.  The Jabra SP200 speakerphone is available now with an MRSP of $59.99.  More details on both in the video.

More finalists shown after the cut

Nokia actually made the selected finalists, which will go on display at the Nokia Regent Street Flagship store in London in April.  Some of the designs are quite tame, whereas others – such as the “Graveyard Shift” headset modeled after Michael Jackson’s Thriller – would probably attract a little too much attention if you wore them on the bus.

Still, all of them are fully functional, and we can only hope Nokia give in to temptation and stump up for a limited-edition run of commercial versions.  The silver “Robot Rock” headset, inspired by Daft Punk’s Robot Rock, is my personal favorite.

[via Generation MP3]

In fact despite the “for iPhone 3G” branding, the wired-headset model is compatible with the MacBook Pro, iPod Touch 2G, Blackberry Storm, Blackberry Bold and the Samsung Instinct.  All of the models have lengthened bass sound chambers – which Radius claim lets the “waves develop properly” – and 32 Ohms of impedance rather than the more common 16 Ohms.

Each is supplied with small, medium and large silicone ear-buds, and have gold-plated plugs.  The standard Radius Atomic Bass headphones are priced at $39.99, while the Radius Atomic Bass for iPhone 3G headphones are priced at $49.99. 

Press Release:

Radius Products Unleashes Second Generation of Atomic Bass Earphones

Super Charge Your Music with Booming Bass and Superb Fidelity
Available Now For $39.99 – $49.99 From Radiusearphones.com

Brooklyn, NY – (March 10, 2009) – Radius Products, a leader in top quality earphones and portable music accessories at affordable prices, announces a new improved version of their highly acclaimed Atomic Bass Earphones which has a new Y-style cable wiring for U.S. customers, a redesigned outer aluminum casing for a better fit and additional comfort for users with small ears. The eartips also have a better grip for preventing easy detachment. Japanese designed Radius Atomic Bass earphones deliver the highest level of sound quality, superior construction, unrivaled comfort and unparalleled style. The Atomic Bass is available for $39.99 and the Atomic Bass for iPhone 3G featuring a built-in Mic and remote control with advanced functionality is available for $49.99. The Atomic Bass earphones boast an array of great features including…

• Unique Bass Technology – Bass sound waves are longer by nature, so it takes longer for bass energy to really get started. Radius has taken a different angle with the bass and created a unique shape with Atomic Bass earphones which feature a lengthened sound chamber to let those waves develop properly. They are perfect for the slamming bass of hip-hop and dance, but they are tonally balanced for any music style that demands rich, crisp audio fidelity.
• Ultra-light Aluminum Earbud Design –The Radius Atomic Bass earphones are tailor made and precision crafted from ultra-light aluminum and feature a gold plated stereo mini-plug. Radius earphones look and sound perfect and are as functional as they are fashionable.
• 32 Ohms of Impedance – Most earphones are rated at 16 Ohms of impedance. Atomic Bass Earphones are rated at 32 Ohms, which provides more efficiency, enormous sound and reduces battery usage.
• Multiple Ear Size Design – The Atomic Bass earphones offer unrivaled comfort and unparalleled style and design to fit all size ears with S, M, L silicone caps.
• Advanced Functionality – The iPhone 3G version features a Built-in Mic and remote that has receive call, disconnect call, play, stop and skip functions. This version is also compatible with iPhone, Macbook Pro, iPod Touch 2G, Blackberry Storm, Blackberry Bold and the Samsung Instinct. (Compatible with all other phones as Earphones, no Mic functionality)

“Since we debuted the Atomic Bass earphones the response has been insane” says Ben Sedaghat, CEO of Radius Products. “Celebrities and fans around the world say that it’s like being inside your stereo or in a club. We started Radius with the goal of providing people a high quality affordable audio option that doesn’t break the bank.”

The Radius Atomic Bass Earphones and Atomic Bass Earphones for iPhone 3G are available now online for $39.99 and $49.99. For more information on product specifications and availability, please visit www.radiusearphones.com

Available in white or black, the DigiFi system comprises a transmitter – with a 3.5mm plug – that hooks up to your iPod, PMP or laptop, and a headset.  The industrial design is almost identical to Sleek Audio’s W-1 system, only the DigiFi earbuds are fixed rather than removable like the SA6′s.  Still, that means using the Digital Opera headset is likely to be very simple, just a case of hitting both buttons on the transmitter and receiver and waiting a second or two for them to synchronize.

DigiFi are suggesting you can see in excess of 10hrs of playback through the headset, with a 20HZ to 20KHz frequency range, 86dB signal to noise ratio and less than 0.1-percent distortion.  The short-range Kleer wireless has 2.37Mbps bandwidth and a range of up to ten meters

The DigiFi Digital Opera wireless headphones are priced at $98 each, and available now.  One transmitter can be used with up to four headsets, and anything based on Kleer technology – meaning the DigiFi, Sleek Audio and Sennheiser headsets – can be used interchangeably.

The primary concept is the tangle-free cable, and while that’s something many headphones advertised it’s also not something usually delivered.  Monster’s approach is to make the cables broad and flat, like under-carpet speaker wire, and give them a “Duraflex” jacket.

As with their larger predecessors, everything about the Tour squeals excess.  The packaging is multi-layered and over-designed, as is the circular carrying case.  Included with the earphones themselves are five pairs of silicone tips, both bubble and flanged, in different sizes.  Meanwhile the color scheme can’t be described as shy or retiring, with bright red cables plus the red and grey Beats logo on each ear bud.  They’re good looking, but if you prefer your headphones to be heard and not seen then the Beats Tour perhaps aren’t for you.

Unlike the over-the-ear Beats headphones, the Tour aren’t powered.  That means you’re reliant on whatever output your PMP can provide; it also means there’s no noise-reduction.  What all that adds up to is a less immersive, less isolating sound stage with the Tour, and a situation where you’re generally required to crank up the volume to hear the full detail of your music.

To be fair, the ear buds themselves need to shoulder some of the blame too.  Monster may provide two different types and multiple sizes, but we had more than a little trouble getting a perfect fit.  In-ear they often felt precarious and as though about to fall out; the ear-canal seal was also less impressive than other such headphones we’ve tested.  Peripheral noise proved intrusive, and while we don’t expect custom-fit style performance we found ourselves wanting more from $150 earphones.

It’s a shame, because the audio quality in general is great.  Bass and the low-end in general is the same solid mass that we’ve grown to expect from the Monster/Dre pairing, both thumping and delineated, while the treble fizzes and pops; these are ideal for R’n'B, Hip Hop and similar musical styles.  Overall, though, they can be wearing, primarily because you have to ramp up the volume in order to work around the ear bud issues.

As for the tangle-free cable, it works as well as advertized.  We’re not quite sure how much is the “Duraflex” marketing-speak, and how much the simple fact that relatively stiff, flat cables are less prone to staying twisted, but the end result is the same.  If you like to throw your headphones, unchecked, into a rucksack or bag then the Monster Beats Tour may be the choice for you.

In the end, though, the final judgment comes down to how well your ears play with the supplied ear buds.  Perhaps we have strange ear canals here at SlashGear, but ours are not the only complaints we’ve heard.  If you can try the Tour out before buying, or find a retailer that will allow you to bring them back should your ears prove as recalcitrant as ours, then they’re definitely worth a try musically.  In terms of a follow-up to their headphone predecessors, though, it’s not quite the clean sweep Monster and Dr Dre may have hoped for.

Unboxing Dr. Dre beats tour

How to properly insert the Beats tour

The behind-the-neck headphones are surprisingly lightweight and flexible to reduce ear fatigue. The iMuffs hold very well whether you’re enjoying music around the house or going for a brief jog. The positioning of the headphones gives more direct, clear bass tones with less sound loss. Designed with the right-handed population in mind, the right earpiece has a convenient volume control as well as pause, forward and backward navigation controls.

Powered by a rechargeable lithium polymer 550mAh battery, the iMuffs claim to give users up to 20 hours of continuous playback. We found the actual time to be more in the 16 to 18 hour range, which is still not bad. Recharging the battery is made easy by virtue of the standard micro USB port.

Connecting your iPod is very simple, just plug it in and turn it on. The navigation buttons are very responsive to touch and quite easy to press making it impossible to lay down on your right side while listening to music. The iMuffs also connect to the iPhone as well as other Bluetooth 2.0 enabled mobile phones. The integrated Bluetooth supports the A2DP, AVRCP, HFP and HSP profiles. You can also use this headset to place calls without the use of the handset itself. We were able to use the iPhone via Bluetooth to place calls, but the Bluetooth dongle is needed to actually listen to music.

Audio playback as well as call quality are both about average. We were able to listen to music within a close proximity to the actual device with little to no interference. When you go into another room, or put a large object between your and your music device you will almost always here static until in direct sight of your device, but that is to be expected from most Bluetooth devices.

The iMuffs have a 20Hz – 20kHz frequency range, which is much better than a lot of headphones today. However their use of Bluetooth wireless means sound quality undergoes compression and, as such, these aren’t the wireless cans for audiophiles (who would do better looking at Sleek Audio’s W-1 system).  The headphones reach up to 40 feet away, making them perfect for doing work around the house or hitting the gym. They also use Advanced Audio Distribution Profile (A2DP), allowing incoming calls to interrupt music. Without A2DP users would need two separate headsets, one for music and one for Bluetooth calling. While noise-canceling technology is present in the iMuffs, it is very limited and by no means advanced. In locations where there is moderate background noise, the headphones phase out noise pretty well. However in situations where there are high noise levels, the noise cancelation fails to perform very well.

If the iMuffs sound like a perfect holiday gift, even for yourself, you may now order them directly from Wi-Gear for $149.99.

However, while they’d seem the ideal partner for the iPhone, in actual fact the headphones aren’t compatible with the Apple cellphone.  More accurately, while they’ll play music, the controls and microphone won’t function.  They’re only intended for the iPod nano (4th generation), iPod classic (120GB) and iPod touch (2nd generation).

Three silicone ear-tips are included, just in case you have outlandishly large or small ear-canals, and the drivers themselves are protected from aural filth by removable mesh grills.  Two replacement grills are included, just in case the filth really is caked on.  Apple also include a carry case.

One earbud hides the battery, the other the Bluetooth radio; the former has a tricky-to-open hatch behind which lurks a new, proprietary charger connection.  Because of the extra guts, the buds apparently extend around 1.5cm outside of the ear canal.  Inside the “wire bump” is the microphone and a single control button.  Altogether reviewer Bill Ray doesn’t recommend wearing them during exercise – “friction against the ear is the only thing that stops these earphones ending up in the gutter” – but is generally impressed with fit.

Of course, performance is the most important thing, and happily the HBH-S800′s do very well; quality is better with a Sony Ericsson Walkman phone, but still decent with rival models.  Battery life manages to exceed Sony Ericsson’s own estimates.  More information at the Sony Ericsson product page.

Music is automatically paused when a call comes in, plus there’s an FM radio for when you run out of your own music.  Philips’ proprietary FullSound DSP technology is also included, which claims to enhance digitally-compressed music to CD quality.  Expect 10hrs playback from a single charge, or 100hrs standby.

While currently targeted at female users, with jewel-effect silver or red casings and the ability to wear the $94.37 LUXE as a broach, Philips are apparently planning a male version as well.  A member of staff at the launch event was spotted wearing a more sober, mirror-finish LUXE, which he removed after it was spotted.  Larger capacity versions are also expected next year.

The Philips GoGear LUXE will launch in November in Singapore initially, followed by Thailand, Malaysia, India, China and Southeast Asia.  There’s no word on when it might reach Europe or the US.

[via CNET Asia]

Power for the noise-cancellation system is courtesy of a single AAA battery, with Denon suggesting a full 40hrs use before it needs replacing.  The ear-pads are leather covered, the whole set fold flat for storage, and they weigh just 160g including the cable.

Included in the hard-shell carry case are the headphones themselves, an airplane dual-plug adapter, 3.5mm stereo plug adapter, 1/4-inch adapter and two interchangeable cables, 0.7m and 1.5m.  There’s also space in the case for a PMP.  The Denon AH-NC732 Noise-Cancelling Headphones are available now, priced at around £249 ($405).

Press Release:

DAD announces the UK arrival of the Denon AH-NC732 Noise-Cancelling
Headphones.
 
Edinburgh, Scotland – October 22nd, 2008 – Digital Audio Distribution, the UK exclusive distributor of Denon Headphones, unveils the Denon AH-NC732 Noise-Cancelling Headphones.
 
Denon,  one  of  the  world’s  premier  manufacturers  of  high-quality  home  entertainment  components,  is giving its music loving customers an opportunity to “escape to quality sound” with the introduction of its high-end,  luxury model  AH-NC732  On-Ear  Noise  Cancelling  Headphones.  Designed  for  total  comfort  in  a  private music listening enjoyment, the Denon AH-NC732 headphones feature a newly developed active noise canceling circuitry  that  provides  a  reduction  in  outside  noise  by  up  to  99%, while  still  delivering  the  sound  quality  for which Denon is renowned. 
 
Everything  about  the  new  AH-NC732  Noise  Cancelling  Headphones  is designed  to provide discriminating music  lovers with a new way  to enjoy the  ultimate  in  portable  listening  and  total  comfort.  In  addition  to  the luxurious “cone of silence” made possible by the advanced noise canceling circuitry,  the  AH-NC732’s  feature  ergonomically  designed  ear  pads,  soft
leather  outer  coverings  and  high  compliant  urethane  foam  to  fit comfortably over the ears and aid in noise isolation.
 
To further enhance the personal listening experience, a specially designed Acoustic Optimizer  (included  in  all Denon  headphones)  ensures  dynamic sound  and  deep  rich  bass  response,  with  optimum  acoustica characteristics achieved by adjusting  the  sound pressure balance  in  front of  and behind  the  diaphragm. The  headphones’ 40mm drivers produce a natural tonal balance over the entire audio range.   

Users  will  also  appreciate  that  the  highly  efficient  circuitry  in  the  AH-NC732’s  provides  extended  battery  life  (40  hours  typical,  using  a  single AAA  battery).  Total weight  of  the  headphones  is  just  160g  (with  cable) ensuring fatigue-free comfort, and the handy foldable construction makes for easy  carrying, and  takes up  less  space. The headphones come with a
small  and  compact  hard  carrying  case  that  can  house  the  headphones and  all  accessories,  with  additional  space  for  a  compact  portable  audio player.
 
The  AH-NC732s  are  Denon’s  first  headphones  that  are  fully  compatible with  the Apple  iPhone, without  the need  for an additional  adapter. Other accessories  include  an  airplane  dual  plug  adapter,  3.5 mm  stereo  plug adapter;  1/4″  stereo  headphone  plug  adapter,  and  detachable  cables (0.7m and 1.5m).  
  
DENON’s first noise cancelling headphones, the AH-NC732, are available now from advancedmp3players.co.uk Selfriges, hifiheadphones.co.uk and ukdiscountsales.co.uk at a suggested retail price of £249.

Sleek are the new kids on the in-ear block; both Mark and Jason come from a background in the hearing-aid industry, with over 35 years experience between them.  The company currently has just one product, the $209.99 SA6 in-ear earphones, the acoustic chambers of which took a full year of development.  Sleek worked with a high-end speaker manufacturer to develop a custom designed single driver, in fact the most expensive driver currently made.  That, together with their expertise in earpieces, adds up to between 27 and 40dB noise isolation (compared to 15-20dB from active noise cancelling over-the-ear headphones); since every ear is unique, the Krywkos added ‘VQ’, Variable Equalization, letting users finely tailor bass and treble responses in the earphones themselves.

The SA6′s were met with incredibly positive response, and spurred Sleek on to offer custom earbuds using the same moulding techniques that are used in hearing aids.  With these, users can expect 40-42dB noise reduction which, as Jason explained, means they can turn down the volume and be less at risk of ear damage.  They also offer a broader frequency range; “extra shimmer” at the extremes, as Jason put it.

Of course, the trend recently has been to go cable-free, and Sleek have been investigating possible wireless options for more than twelve months.  Bluetooth and the stereo A2DP profile were an obvious option, but the distinct loss of audio quality – Bluetooth has the same dynamic frequency range as FM radio – and poor battery life were unacceptable compromises.

In contrast, Kleer were offering CD-quality audio, much better battery performance, and ranges several times that of Bluetooth.  The Sleek Audio wireless adapter has a battery life of around 10hrs, plugging into whichever iPod, PMP or other device you choose and making no power demands on it.  In recent tests, indoor range – with multiple walls in-between – reached 45 to 50 feet with no loss of sound quality.  Total unimpeded range is listed as 60 feet, and up to four wireless adapters can pair with one transmitter.  Jason described a recent high-end audio show in Miami in which the wireless SA6 setup coped admirably despite a show-hall full of EMI.

The Sleek wireless system, then, plugs into the SA6 earphones to replace the usual cable.  Although that may not be as minimalist as, say, Sennheiser’s MX W1 earphones, each earbud of which is entirely wireless, it does keep prices down and make the system backward compatible to existing SA6 owners.  Jason suggested a fully wire-free setup would have cost buyers anything from $500; the upcoming bundle, including wireless and a pair of SA6 ‘phones, will set you back between $275 and $299 (pricing is not finalized).  The wireless system on its own will be priced at $120, and is available to preorder now.  Keeping it modular also means Sleek can offer a Bluetooth option in the future if, that is, customers want it.

Exclusively, Mark and Jason confirmed with SlashGear that they are working on a new, less expensive version of the SA6 that Sleek will release before the end of the year.  That will be followed in 6-8 months by new set of higher-end earphones, slotting in above the SA6.  Each of the earphones will use the same connectors as each other, meaning that no matter which version buyers choose, they’ll be able to take advantage of Sleek’s Kleer wireless system.  Mark also confirmed that the company is also in talks with other high-end earphone manufacturers about using the Sleek Audio wireless adapters.

Given the acquisition of Ultimate Ears by Logitech back in August, I asked Mark and Jason what they thought about the state of the independent earphone market.  They described the buy-out as an example of strength of the in-ear headphones market, but also a sign that people are beginning to recognise the quality of sound possible from PMPs.  Sleek admit that, if all you listen to are 128kbps MP3s, you’ll probably not see the point of the SA6′s – wireless or not – however encode at a higher bitrate and with good-quality in-ear earphones you can be hearing detail that previously would have demanded speakers costing many thousands of dollars.

Of course, many would say that $200+ is still plenty to pay for a set of earphones, so we’ve been testing the SA6′s and should have the full review later on this week.  We’ll also be testing out the Sleek’s wireless system once the first units make it out to reviewers, so stay tuned!

The ranges break down as follows:

• ATH-CK1W (MSRP: $49.99): in-ear headphones available in green, orange, pink, purple, white and yellow, all with matching “decorative” metal carrying cases and three interchangeable eartips to provide superior comfort for your delicate lady-ears.
• ATH-ES3W (MSRP: $79.99) on-ear headphones available in four metallic finishes: blue, green, pink and silver. Cushioned earpads and soft headband, with folding ear-cups so as to slip like a narrow sanitary towel into your clutch-bag.
• ATH-ON3W (MSRP: $59.99) on-ear headphones with a slim, ultralight design in dark gray, pink, teal blue and white.  Fold-flat design leaves plenty of room in your purse for lipstick and puppies.
• ATH-CK6W (MSRP: $79.99) in-ear headphones “designed to fit any woman’s style”, in metallic silver, blue, green and pink. Three interchangeable loop support pieces to disguise the shameful fact that one ear is bigger than the other after a boarding-school hockey accident.
• ATH-CK52W (MSRP: $59.99) in-ear model with a color choice of blue, black and white, for “total comfort and convenience” like a fresh portaloo at an open-air festival.

All come with cord-wraps and, quite possibly, patronizing in-box literature about how Audio-Technica are doing women a big favor rather than just trying to cash in on a demographic with nothing more imaginative than a few different colors.

The system is modular, with the headphones themselves detaching from the in-line microphone cable.  The ear buds themselves use Shure’s passive noise-cancelling technology; three sets of soft flex sleeves – in small, medium and large – are supplied, together with a drawstring carry pouch.

Shure is also announcing a number of bundle deals today, of which the SE102MPA is the entry level.  It pairs the company’s higher tier SE headphone with the Music Phone Adapter.  All models will be available this month, with a two-year warranty.

Press Release:

Shure Introduces SE102MPA Sound Isolating(TM) Stereo Headset

New $99 Bundled Music + Mobile Accessory Turns “Everyday Audiophile” into “Everyday Superuser”

NILES, Ill. –(Business Wire)– Sep. 2, 2008 Shure Incorporated today unveiled the $99.99 SE102MPA Sound Isolating(TM) Stereo Headset, a new entry-level accessory that brings a premium audio and communication experience to price-conscious iPhone and smartphone owners. It offers Shure’s newest SE earphone model bundled with the company’s wildly popular Music Phone Adapter (MPA).
When the iPhone launched in June 2007, Shure was there to deliver. The company brought its 80-year professional audio legacy to iPhone enthusiasts everywhere with the MPA, one of the first premium accessories to seamlessly marry listening and communicating. Now, with a better-than-ever iPhone and host of new multi-function devices exploding onto the scene, Shure is innovating once again with an entire line of do-it-all bundled accessories that maximize converged device performance for every level of user.

According to the CEA/GfK Worldwide Consumer Electronics Sales & Forecast, global sales of mobile phones and smartphones were $156 billion in 2007 (1.09 billion units) and are expected to reach $178 billion in 2008 (more than 1.2 billion units). With Apple paving the way, it’s clear that the promise of convergence is unfolding. Multi-function devices no longer have to sacrifice performance in one area to achieve it in another, and as a result, new buyers are investing in converged devices and in the accessories that maximize device performance. After witnessing the phenomenal success of its MPA, Shure anticipated growing demand for bundled products that would offer consumers their favorite Shure earphone models packaged with an MPA. With the SE Sound Isolating(TM) Stereo Mobile Headsets, Shure enthusiasts at every level can enjoy a premium listening and communication experience no matter when and how they’re using their converged devices.

“Smartphones are the new ‘it’ devices because users no longer have to abandon who they are to benefit from smartphone technology,” said Mark Karnes, Executive Director, Global Marketing, Shure. “With Apple offering the first true medium, audiences from casual users to musicphiles, moviephiles and constantly-connected business users can get it all from one device. They want the same from accessories — one high-performance, bundled accessory that maximizes everything their device offers — and this is exactly what Shure is delivering with its new bundled headset line.”

The SE102MPA Sound Isolating Stereo Headset

Designed for iPhone owners in search of a seamless music plus mobile experience at an affordable price, the SE102MPA delivers premium sound and one-touch call answering. Interchangeable Sound Isolating(TM) Sleeves and an inline microphone guarantee clear communication, even in noisy environments. A unique cable design allows the user to remove the MPA for additional versatility and convenience.

Additional SE102MPA features

– Dynamic MicroSpeakers: Professional-grade Dynamic MicroSpeakers bring premium, rock star sound quality to the “everyday audiophile.”

– Low-profile VoicePort(TM) Microphone: Tuned to enhance intelligibility regardless of background noise, this professional grade Shure microphone uses VoicePort technology to provide superior sound quality and ensure that callers hear each other clearly even in noisy environments.

– Modular Cable Design: Shure is now extending the modularity concept it pioneered with its SE models to its SE Sound Isolating Stereo Mobile Headsets. An interchangeable cable provides unmatched flexibility and boundless options for consumers to personalize their converged devices.

– Sound Isolating Sleeves: Shure signature Sound Isolating Sleeves prevent outside noise from interfering with a consumer’s audio experience and block more background noise than active noise cancellation technology. Interchangeable earphone fit options deliver unparalleled personal customization and comfort.

– Carrying Pouch/Included Accessories: The SE102MPA is packaged with a zipper-less drawstring pouch and three pairs of soft flex sleeves (S, M, L).

Shure SE Sound Isolating Stereo Mobile Headsets (SE110MPA, SE210MPA, SE310MPA, SE420MPA, SE530MPA)

In addition to the SE102MPA, Shure is also introducing several other SE Sound Isolating Stereo Mobile Headsets: the SE110MPA, SE210MPA, SE310MPA, SE420MPA and SE530MPA, a new headset family that offers Shure’s acclaimed SE earphone models bundled with the MPA.

These new products combine all of consumers’ favorite attributes of Shure SE models – including superior audio quality, beautiful design, modular capabilities, comfort and portability – with the convenience of a detachable stereo mobile headset. The bundled models will include all accessories currently packaged with existing Shure SE models. The SE110MPA, SE210MPA, SE310MPA, SE420MPA and SE530MPA also include a 3-foot extension cable for users who prefer to remove the MPA.

Pricing and Availability

– SE102MPA: $99.99 retail price; $119.99 MSRP

– SE110MPA: $129.99 retail price; $154.99 MSRP

– SE210MPA: $179.99 retail price; $214.99 MSRP

– SE310MPA: $279.99 retail price; $334.99 MSRP

– SE420MPA: $379.99 retail price; $429.99 MSRP

– SE530MPA: $469.99 retail price; $519.99 MSRP

Shure SE Sound Isolating Stereo Mobile Headsets will begin to be available to consumers in September 2008 and will carry a two-year limited warranty. All Shure Sound Isolating(TM) Earphones, headsets and inline accessories may be purchased online at http://www.shure.com, as well as at select retail partners. Check http://www.shure.com for a complete list of Authorized Dealers.

When it comes to features, this headset doesn’t have anything to write home about. It has a built-in voice alert that can act as a reminder for various tasks like when you need to recharge it or when it is plugged in or disconnected. You can also talk for about seven hours on one charge.

Weighing in at 14 grams, the Bluetrek Sugar is a light, compact device that has a unique design. Sure, it might be a bit clunky to wear, but it’s different, that’s for sure. And sometimes, that’s enough. You can get your very own Sugar for $70.

[via Chip Chick]

The rumor started with a flyer that started making its rounds on the internet yesterday. The flyer, which was supposedly sent to German Xbox Live Gold members indicates that the starter pack will be available in November for around 79 Euros.The starter pack is expected to include a 60GB hard drive, a wired headset, and then 3 months of Microsoft’s Xbox Live service.

If the bundle turns out to be true, it will offer new users an exceptionally good deal. Currently a 120GB hard drive for the Xbox 360 runs around 129 Euros, the 79 Euro price tag for the bundle marks a pretty significant price drop by including the headset and Live access in the deal.

[via Xbox360Fanboy]

The Astro A40 is sold along with its own personal mixer. The headset allows you to mix 5.1 game and audio communications independently. The headset allows for private communication channels for Xbox 360 teams, and outboard surround processing from your PC.

The Astro A40 also has interchangeable faceplates, and an adjustable boom microphone.

[via Engadget]

Sure Bluetooth makes it so your hands are free so both can be on the wheel, but what about your mind? When you’re chatting it up, you certainly won’t be paying attention to the road. That I’m sure of.

When you talk on the phone with someone while you’re at home, let’s say, are you paying attention to what’s in front of you? No. You most likely aren’t even aware of what’s in front of you as you get lost in the conversation. The same thing can happen when you’re on the road. And that’s why talking and driving, headset or no headset is bound to cause a lot of bad driving, period.

But then that calls into question several other factors as well. Is a huge sound system in your car distracting, then, too? Books on tape? Conversation with a passenger? It’s hard to gauge, really, as one person’s entertainment could be another’s complete and total crash-inducing distraction.

One thing is for certain, though. I will still get cut off by people on their cell phones. Only now, I won’t be able to tell if they’re on the phone or not. They will no longer be called “crazy cell phone drivers.” Instead, they’ll be the “crazy talk to themselves drivers.” It’s a shame because I won’t be able to steer clear of them, either.

That’s why I want to hear what you think. Do you think the Bluetooth headset craze will fix the nuisance of bad driving caused by cell phones or will it merely put to rest the worst offenders? Leave your thoughts in the comments!

[Image from AutoSpies]

The earphones comprise 30mm drivers with 16-24,000Hz frequency range, and recharge using the supplied AC adaptor in around three hours.  Built-in controls allow for remote playback, pause, stop, tune sending and tune resetting. 

AudioCubes currently import the DR-BT140QP earphones, where they’re available now priced at $149.99.

First, this headset is not going to improve your fragging skills, I don’t care who has their name stamped on it. However, I can bet that this guy has spent more time gaming with a headset on than most of us, so he probably knows what he’s talking about.

So what makes these headphones so great? The main perk is the positional audio which promises to let you know exactly where the enemy is, solely from the direction of the sound they are making. Of course the main question when I look for a headset is just how comfortable it is over long periods of gaming. The ear cups are padded for comfort, so hopefully there won’t be any issues there. You can pick up a pair for around $80.

[via EverythingUSB]