This device has a total of 1080 pixels by 1920 pixels across its 5-inch display, this showing a lovely 441 PPI, one of the highest pixel densities in a smartphone on the market today. Depending on the market this device is released in, it’ll be working with one of two processors. One of these processor possibilities is the Samsung Exynos “Octa” SoC clocked at 1.6GHz per core – there’ll also be a Samsung GALAXY S 4 with a Qualcomm Snapdragon quad-core processor clocked at 1.9GHz.

The front-facing camera on this device is 2 megapixels strong while the back-facing camera clocks in at 13 megapixels. Both of these cameras work with a collection of features that are outlined in a set of four user experience pillars that Samsung has set up for this device. In the Enjoyment pillar you’ll find the camera outlined in full.

The Samsung GALAXY S 4 works with a body that’s 136.6 x 69.8 x 7.9 mm small and just 130g in weight – again, smaller than the GALAXY S III in thinness and lightness. Samsung says it’s stronger than the Galaxy S III as well. Inside you’ll find a 2,600 mAh battery and one of three different internal storage sizes: 16, 32, or 64GB of space. This device also has a microSD card slot that’s able to work with a 64GB card.

Have a peek at the timeline below to see everything – this timeline will expand as our details posts and hands-on experiences are revealed. Stick around all night long to see more!

The Dell XPS 13 Ultrabook with Full HD display option takes on a massive 1920 x 1080 resolution across its 13-inch display, this containing almost twice the amount of pixels compared to what Dell calls a “typical 720p display”. The image you’re seeing below comes from Dell and shows the XPS 13 in both of its non-developer editions. It’s made clear instantly how much more you’re going to be able to see in the same physical display size – hot stuff!

Also note above that yes, the physical machine sizes are the same, it’s no optical illusion. The amount of pixels inside the display allows for more to be shown from a standard app like Excel from Office 2013 (see our review of Office 365 for more info on that iteration of Excel). Dell also lets it be known that this version of the Dell XPS 13 offers a 72% color gamut vs the 45% color gamut on the “standard” panel.

Viewing angles have been bumped to 178 degrees up from 80 degrees on the standard panel – and it’s worth noting that each of these measures comes from Dell comparing the standard and the Full HD panels on the Dell XPS in a general way. They’re all just a little bit subjective when it comes down to it since it’s really up to your own eyes to decide how much more excellent one panel is compared to its predecessor. The display has also been amped up to 350 nits in its Full HD iteration, this “up to 75% brighter than a typical 200-nit display.”

Dell notes in their press materials for the Full HD XPS 13 that the unit is “often judged against the MacBook Pro 13, but in terms of size and weight, the MacBook Air 13 is a more realistic comparison.” The folks at Dell note that the XPS 13 is smaller than the MacBook Air 13 “as it fits a 13-inch screen into something barely bigger than an 11-inch footprint.” This machine is getting ready to be unleashed upon the public this Spring, aka “in the next few weeks” – stay tuned for more details, pricing, and hands-on action.

Bonus! This device is also offered from Dell starting at $1,449 USD working with Ubuntu – fun stuff for all!

There’s also a Quad Capsule Spatial Array Microphone – made up of four omnidirectional capsules that can be flipped between 5.1-channel and stereo recording – with adjustable levels, and the optional XLR-K1M adaptor kit that throws in a mono shotgun microphone and XLR ports for external mics. A “seesaw” zoom lever promises smoother control over power-zoom lenses, and there’s a bundled adapter for slapping on A-mount DSLR lenses and getting the right focal width. The NEG-VG900 also switches automatically to APS-C mode when either an E-mount or A-mount DT lens is fitted.

Sony has included both manual and autofocus modes, with the latter offering both contrast AF and focal plane phase detection AF during 24p mode standby and still image modes (as long as you’re using the LA-EA3 mount adapter); phase detection AF is also available using the LA-EA2 mount adapter, while Contrast AF is provided when using E-mount lenses. For exposure, there’s 99-segment metering.

As for the NEX-VG30, that has a 16.1-megapixel APS-C sensor and uses E-mount lenses, delivering Full HD video in 24p, 25p and 50p modes. Both camcorders have an XGA OLED viewfinder with 100-percent field of view, and a 3-inch touchscreen LCD with swivel-mount. Connectivity includes component/composite/S-Video/HDMI outputs, USB, headphones, a mini-jack stereo mic input, Multi Interface Show, and a combo remote terminal and A/V remote terminal port.

The Sony NEX-VG900 Handycam will drop in late October, priced at $3,299.95 body-only, while the Sony NEX-VG30 will follow in November, priced at $1,799.95 body-only or $2,699.95 paired with the 18-200mm f/3.5-5.6 power zoom with optical image stabilization.

First we have the CAMILEO S40, which is being marketed as a “pocketable” camcorder that still delivers when it comes to performance. It sports a pistol grip design, comes in four different colors (silver, turquoise, orange, purple), and features a 5x digital zoom that is helped along by electronic image stabilization. On the back we have a 3-inch LCD touchscreen that features an icon-based GUI, and this camera also comes equipped with CAMILEO’s Uploader Software so you can share what you’ve shot easily. Finally, the S40 comes with mini HDMI and micro USB ports, allowing you to connect it to your other devices and playback video on a larger screen.

Next up is the CAMILEO X150, which is a palm-held camcorder aimed at those who need to get an up-close shot while still maintaining 1080p quality. It features a 10x optical zoom, and allows users to snap pictures while recording video. It also comes equipped with smile detection and face detection, meaning that not only will your pictures be in-focus, but you also won’t be snapping pictures of awkward faces as often. Just like the S40, the X150 comes with a 3-inch LCD touchscreen, along with mini HDMI and micro USB ports for easy playback.

Wrapping up Toshiba’s triple reveal, we have the CAMILEO BW20, which is for those who need a camera that can withstand a few hits. It can handle falls from up to 1.5 meters, and is waterproof down to five meters for up to 30 minutes. It can record in low-light settings all the way down to 2lux, and comes with an anti-glare 2-inch LCD screen so you can review what you’ve shot even with the Sun bearing down on you. As with the cameras before it, this one also features mini HDMI and micro USB ports.

It’s also worth pointing out that all three of these cameras come equipped with an LED flashlight and a multi-card slot. There isn’t any pricing information on these camcorders yet, and Toshiba hasn’t announced a release date either, saying that they’ll be available in the UK starting in Q4 2012. Stay tuned, because we’ll have more details for you once Toshiba dishes more information.

One of the projector’s most noteworthy features is its utilization of Sony’s Reality Creation technology, which made its debut in the VPL-VW1000ES 4K home cinema projector. Reality Creation allows the projector to restore any information that was lost as the original video was copied to the disc the end users purchase, which means that users get a full HD picture without losing any color or image quality.

The VPL-HW50ES is capable of 1,700lm brightness, with Sony making improvements to bulb efficiency and utilizing a “Bright Cinema and TV” mode to be able to boast a 30% brightness increase over the VPL-HW30ES. The projector also boasts a 100,000:1 dynamic contrast ratio, thanks in part to Sony’s contrast enhancer technology, which changes the contrast on the fly depending on how dark or bright the scene on screen is. Sony is also offering a number of functionality upgrades with the VPL-HW50ES, including a built-in 3D transmitter, a V shift range of +- 71%, and a maximum output noise of 21db.

The VPL-HW50ES should launch across Europe by the end of October, and when it arrives, it will be available in the different colors – black and white – pictured above. We don’t have any pricing details just yet, but don’t expect it to be cheap, as this model’s predecessor, the VPL-HW30ES, came with an MSRP of $3,699. Keep an ear to SlashGear, because we’ll have that pricing information for you right here once Sony parts with more details.

As stated above, the MediaPad 10 has no lack of notable features, but the star of this promotional video has got the be the 1920 x 1200 IPS display. The video also touts the tablet’s 8.8mm thickness, along with its quad-core CPU and 16-core GPU, which together provide a “smooth” gameplay experience. The 10.1-inch tablet also comes equipped with an 8-megapixel camera with dual LED fill-flash and Android 4.0 Ice Cream Sandwich, so there really doesn’t seem to be anything holding the MediaPad 10 back from becoming a serious competitor within the tablet market. Check out the promotional video below.

Of course, it wouldn’t be much of a promotional video if it didn’t also try to hype the tablet’s less-technical features, such as the “refined metallic surface” and its “luxurious yet subtle” nature. All of that hype isn’t wasted on us though, because now we just want to get our hands on it. We’ll get our chance soon, as the MediaPad 10 is due out in late August with a reported price point that comes in under $500. If you’re interested in learning more, be sure to check out our hands-on with the Huawei MediaPad 10!

The Bloggie Sport HD is shock proof, dirt resistant, and waterproof down to 16 feet. Its shock resistance is rated for drops up to 5 feet off the ground and its dust resistant seal makes it impervious to mud, snow, rain, and grime. An Underwater Mode automatically adjusts white balance and contrast to even out blue color cast for more natural and vibrant looking underwater photos.

It has a candy bar form factor with the camera lens on one side and a 2.7-inch touchscreen display on the other. A flip-out USB arm makes it easy to connect the camera to a computer for uploading video and charging its battery. It also features Sony’s Exmor CMOS sensor, 4x digital zoom with auto macro, SteadyShot image stabilization, LED low-light shooting, Face Detection, Share tags, and HDMI output.

The pocket camcorder begins shipping today, priced at $179.99. It is available in blue, black, and red. For more information, visit the product page.

[via Engadget]

The comparison was done using extreme close-up examination of the film 30 Days of Night with one version downloaded from iTunes and the other on a Blu-ray Disc. Text and color reproduction between the two formats were incredibly close and almost indistinguishable. Only when it came to certain bright areas did the iTunes version have a tendency to blow out some of the details. The iTunes version also had some issues with gradient banding.

Currently the best in home video image quality, Blu-ray is still the winner. Additionally, Blu-ray Discs can offer a number of special features as well as uncompressed multi-channel audio. But overall, the image quality of iTunes 1080p was impressively close to that of Blu-ray and it’s only a fraction of the file size. Plus, it’s easier to access and play through multiple devices. To see the close-up images side-by-side, be sure to check out the comparison.

The H6500 will work perfectly for projecting video content from Blu-ray Disc players via HDMI or for viewing other HDTV content. It provides crisp, rich visuals with a brightness of up to 2,100 ANSI lumens that can be dimmed to 1,680 to save power. It has a contrast ratio of 10,000:1 and a native 16:9 aspect ratio, adjustable to 4:3.

Using Acer’s eColor Boost II+ technology, the H6500 will project images with colors that “pop” even on tinted wall surfaces. The projections can be seen even with bright ambient light, allowing you to enjoy film quality viewing both outdoors at night or indoors without having to draw the shades or turn off all the lights.

The projector also boasts easy setup and a long lamp life. It can provide up to 3,500 hours of standard lamp life, up to 5,000 hours of ECO mode, and up to 6,000 hours in ExtremeECO mode. It is available for sale now, priced at $899.99 with a one-year warranty.

[via eCoustics]

The Pivothead video glasses feature gyroscopic image stabilization and continuous auto-focus, which kick in when “Active Mode” is selected. Videos can be shot at 30fps in either 720p or 1080p or at 60fps in only 720p and are saved as in H.264/MPEG-4 format. The video glasses also offer “Spectator Mode,” “Social Mode,” and “Black & White Mode.”

You can simply wear the glasses as regular sunglasses and then when you need to record something you turn on the camera by tapping a button on the bottom of the left side. Pushing a button on top of that side begins recording in the default mode of 1080p at 30fps.

The settings for the glasses can be changed via various ways of holding down the buttons, reminiscent of adjusting old sports watches. LEDs on the interior of the left side give feedback while you do this. But to save the hassle, you can simply connect the glasses via USB to your computer and adjust the settings in the Glasses Manager software. Pivothead expects to start shipping the glasses in April, priced at $349.

[via GizMag]

There’s also a behind-the-scenes clip showing how the D800 showcase was put together. It’s an altogether impressive piece of work, with the DSLR showing its strengths not only in capturing smooth high-speed footage but also in low-light situations and under harsh indoor lighting which can often spell death for flesh-tones.

Nikon is positioning the D800/D800E as ideal for portrait and landscape photographers, as well as those who do plenty of studio work, though the camera is slightly lighter (albeit a little bulkier) than the D700 and so might make for a solid mobile setup. You’ll need reasonably deep pockets, though: the D800 will be $3k when it drops late next month, while the D800E – which gains more detail at the increased risk of moire – will be $300 more.

Note: the sample video is somewhat graphic, showing scenes of childbirth (think a little blood rather than anything too gruesome or NSFW).

The EGO comes with a tripod mount and a multipurpose mount, and will have a range of suction-cups, surfboard and handlebar mounts, and other options available separately. It has a 136-degree wide-angle lens and measures 1.6 x 1.2 x 2.5 inches, controls boiled down to two buttons, and an LCD preview screen. Alternatively, full control is courtesy of a wirelessly-connected smartphone app. Storage is via a microSDHC card (up to 32GB).

As for the TORQUE HD and APEX HD, they’re Liquid Image’s more traditional video goggles, each with WiFi and GPS for geotagging stills and clips. Both have simple onboard controls along with remote app control, microSDHC storage, 30-degree adjustable camera angles and a replaceable, rechargeable battery good for 1.5 to 2hrs of use.

Liquid Image’s EGO 727 will arrive in June priced at $149, alongside the $399 TORQUE HD. The Apex HD will follow on in October 2012, priced at $399 for either the black or white models.

If you’re using Windows Live Messenger you only get 720p video support, though standalone 1080p video clips and interpolated 15-megapixel stills are possible. Logitech’s accompanying software suite supports H.264 video compression and one-click YouTube and Facebook upload, for sharing so straightforward you can have clips online before your hangover has even lifted.

A particularly flexible mounting clip supports tripod screws, or mounts on top of laptop screens, low-profile desk monitors or traditional CRTs, if you’re rocking that old-school setup still. Hook-up is via USB 2.0.

The Logitech HD Pro Webcam C920 is up for pre-order now, priced at $99.99. It’s at times like these you can see why Cisco’s Umi really didn’t stand a chance.

There’s a redesigned grip and casing, with improved texture for easier grip, while Panasonic is also pretty proud of its customization options, including two user-configurable settings options on the mode dial, two buttons and two menu tabs that can be preset to each photographer’s most commonly used features. 12800 ISO and touch-autofocus is supported, along with the ability of the camera to reconfigure a focus-lock if the subject moves while the shutter release is half depressed.

A built-in flash is present and an optional external viewfinder supported – the tilt-shift Live View Finder DMW-LVF2, (approximately 1.4x and 1,440,000-dot equivalent, 100-percent field of view) - while a dust removal system promises to keep your lens clean. An integrated level and 11-percent longer battery life than the LUMIX G3 round out the key specs.

Both black and silver versions of the Panasonic LUMIX DMC-GX1 will go up for grabs in mid-December, with the body-only option priced at $699.99. There’ll also be a range of kits, including the DMC-GX1-X with the LUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S (H-PS14042) lens for $949.99, while the DMC-GX1-K with the 14-42 standard zoom will be $799.99.

The 200-inch display weighs about 500kg or 1,100 pounds, incorporating a condenser lens that focuses the light for sharp images along with a special diffuser film that creates a smooth transition between different viewing angles. It uses 57 projectors in an array with each one tuned to create uniform levels of brightness and color balance. The viewing angles work in such a way that if you were viewing a square box, you could actually move to the side of the screen to see the side of the box.

At this point, the display is not being developed with the consumer market in mind, so we won’t be seeing the technology implemented in consumer electronics anytime soon. Instead, the display is geared towards design and digital signage with plans to increase the 57 viewing angles to 200.

[via AkihabaraNews]

Other ports include stereo audio output, an S/PDIF digital optical audio output and a USB 2.0 connection which allows you to treat the GoFlex Cinema as an external drive and dump media straight onto it. Meanwhile the drive can also be used standalone with digital cameras and camcorders, pulling your content straight across ready for playback.

Format support includes Xvid HD; AVI; MPEG-2 (VOB/ISO); MPEG-1; MPEG-4 (Xvid); AVC HD; H.264; TS/TP/M2T; MOV; M2TS; MKV; FLV; VC-1; and WMV9 video, along with ASF; MP3; WAV; AAC; FLAC; WMA; LPCM; WMA Pro; Dolby® Digital; and DTS audio. There’s also support for up to 20-megapixel images and subtitles.

The Seagate GoFlex Cinema is available now in Europe, priced at €99 ($136) for the 1TB model, €129 ($177) for the 2TB model, and €179 ($246) for the 3TB model. No word on North American pricing or availability at this stage.

There’s also a microphone input, HDMI output and a remote control. Both the X400 and X416 also get a “Pause” video recording function which allows users to temporarily cease filming and then resume later on, saving footage the same file rather than starting a new clip.

As for the Toshiba Camileo X200, that has a 12x optical zoom and also gets an HDMI port and remote control. The Camileo X400 is available now, priced at $249.99, while the Camileo X200 is also on sale now, priced at $199.99. The X416 will arrive later this month, for $319.99 (though that’s likely to come down with an instant rebate).

If that wasn’t enough, there’s ISO6400 support and the ability to fire off 8.3-megapixel (3840 x 2160) stills images at a ridiculous 60 shots-per-second – up to a maximum of 130 shots total per burst – or 12-megapixel stills at 30 frames-per-second. Super-slow-motion video, meanwhile, can be recorded for two full hours, though only at VGA resolution.

Optical image stabilization, a 10x optical zoom and white balance, aperture and shutter controls for manual use round out the main specs, while there’s a 3-inch posable touchscreen for control and SDXC/SDHC memory card support. An HDMI port and 32GB of internal storage are also present. Interesting stuff, and JVC is likely to find a few buyers when the GC-PX10 goes on sale sometime in October, even with that $899.95 price tag.

That’s only one of Panasonic’s various processing tools, which include the Detail Clarity Processor 3 engine and Pure Color Filter Pro, while there’s also the Dynamic Iris Pro to physically control the projector’s iris, Red-Rich Lamp and gamma curve 60 times a second. All very complicated on paper, but Panasonic reckons it adds up to minimal frame delay or blurring during sports, reduced murkiness in games, and crisper detail in movies.

Connectivity includes a pair of HDMI ports, with support for VIERA Link remote control, and there are two 12-volt trigger terminals so that the PT-AR100U can manage a motorized projection screen and curtains, for instance, as part of a whole-house automation setup. The lens has a 2x zoom, capable of projecting a 120-inch image when between 3.5m and 7m from the screen, while offset positioning is possible with 68-percent vertical adjustment and 26-percent horizontal adjustment.

Availability is set for October 2011, with the Panasonic PT-AR100U expected to be priced at $1,999.

The Sony DEV-5 supports up to 10x optical magnification in 2D movie mode, or a 20x digital mode, while the Sony DEV-3 lacks the digital zoom. Both support up to 5.4x magnification during 3D video recording. Each stores to a Memory Stick or SD/SDHC/SDXC card, with up to 2hrs 30 of 3D recording possible to a 32GB card, or anything from 2hrs 30 to 12hr 50 of 2D footage depending on quality mode.

Stills are shot at up to 7.1-megapixels, and the DEV-5 contains GPS to geotag them – and video – too. Connectivity includes mini HDMI, component, composite and S-video outputs, along with USB 2.0 audio in and audio out.

Set to hit shelves in November, the DEV-5 will be priced at $1,999 and the DEV-3 at $1,399. Expensive, perhaps, but maybe just the thing to finish off your Star Wars cosplay outfit.

The Cyber-shot TX55 records 1080/50i video in AVCHD format, as well as shooting 3D photos and 3D Sweep Panorama images. There’s ISO 3200 support, a 5x optical zoom, optical image stabilization and a memory card slot that can handle Memory Stick Micro (M2) and MicroSD/SDHC cards.

As for the Cyber-shot WX30, that has the same ISO and zoom as well as optical image stabilization. It will work with Sony’s Party-shot pan/tilt dock, and can grab 3D images as well. Both cameras have Sony’s new Picture Effect system, with options for HDR, toy camera, faux tilt-shift and other image mangling.

The Sony Cyber-shot TX55 and Cyber-shot WX30 will go on sale in September 2011, pricing tba.

Update: Sony tells us that the TX55 will be priced at “around $350.”

Cheapest is the HM-TA2, at $169.99, with Full HD MPEG-4 AVC recording, a 3-inch touchscreen, Night View Mode, integrated USB plug and webcam mode. The HMT-TA20 is $199.99, and adds 10 ft waterproofing, 5 ft drop resilience and dust protection.

Then there’s the HX-WA10, a $349.99 Xacti-style camcorder – which we’ve seen before, but with a higher price – that offers Full HD video, 10 ft waterproofing, 16-megapixel stills (or 2-megapixel stills while simultaneously recording video) and a 5x optical zoom. The $279.99 HX-DC10 has the same core specs but is not waterproof, while the $199.99 HX-DC1 shoots 14-megapixel stills.

The WA10 and DC10 both have Backside Illumination sensors for improved low-light performance. All five will go on sale in July 2011.

Press Release:

PANASONIC ANNOUCES PRICING FOR ITS NEWEST STYLISH DIGITAL CAMERA FEATURING BEAUTY RETOUCH, THE LUMIX FH7

SECAUCUS, NJ (June 9, 2011) – Panasonic today announces pricing for its new 16.1-megapixel digital camera, the LUMIX DMC–FH7, which will be available in early-July 2011 for a suggested retail price of $179.99. The LUMIX FH7, available in black, features an incredibly slim and stylish design, making this new digital camera easy to carry, and with intuitive touch-controls via a 3-inch Smart Touch Screen, it is also easy to use.

The LUMIX FH7‘s Smart Touch Screen allows users to enable Touch Auto Focus (AF), Touch Zoom, Touch Shutter and Intelligent Scene Selector simply by touching the screen. The LUMIX FH7 also features three modes that gives users creative control by manually (with a touch of a finger) editing their photos on the digital camera. These modes include: Beauty Retouch – allows users to retouch faces; Esthetic – creates effects on faces such as clearing skin texture and whitening teeth and Makeup – gives color options such as foundation, eye-shadow or coloring for the lips and cheeks.

While the LUMIX FH7 is a stylish standout, it does not compromise on performance. It features Leica DC lenses with an impressive 4x optical zoom, High Definition video recording-capabilities that record 1280 x 720p at a smooth 24 fps and Panasonic’s iA technology – making shooting photos and videos simple and intuitive – while still producing vivid and beautiful images Additionally, it features the LUMIX Image Uploader, with which you can instantly share images via Facebook© and video via YouTube™ when the digital camera is connected to a computer or the SD Memory Card is inserted.

Furthermore, the Panasonic LUMIX FH7 encompasses Panasonic’s Venus Engine VI image processor, which automatically detects outlines, detailed texture areas and soft gradation that results in naturally clear images. The multitasking Venus Engine VI also supports a super-fast response time. The shutter release time lag is incredibly quick, at approximately 0.006 second and its quick response makes it easier to capture sudden, spur-of-the-moment photo opportunities. For more information on all Panasonic’s LUMIX digital cameras, please visit www.panasonic.com/lumix.

Press Release:

PANASONIC ANNOUNCES PRICING FOR ITS MOBILE CAMERAS AND DUAL CAMERAS – ALL AVAILABLE IN EARLY JULY 2011

SECAUCUS, NJ (June 9, 2011) – Panasonic today announces pricing for its new full-High Definition*1 (HD) mobile cameras, the HM-TA20, HM-TA2 and its new dual cameras, the HX-WA10, the HX-DC10 and the HX-DC1. All five new models will be available in early July 2011 for the following suggested retail prices: $199.99 for the HMT-TA20; $169.99 for the HM-TA2; $349.99 for the HX-WA10; $279.99 for the HX-DC10; and $199.99 for the HX-DC1.

The HM-TA20 is a full-HD mobile camera, which has a rugged design that is waterproof to approximately 10 feet, shockproof to approximately 5 feet and dustproof*2 and with the Night View Mode – it shoots exceptional video and photos, even in low-lighting. The Panasonic HM-TA20’s small and compact size, combined with tough exterior, make this the ultimate video camera when it comes to portability. Plus, with a large, 3.0-inch Touch LCD, the HM-TA20 is easy and intuitive to use.

The Panasonic HM-TA20 shoots in full-HD 1920 x 1080 video, and records in the MPEG-4 AVC file format (MP4), which is convenient for editing images with a computer and uploading files to the Internet. The HM-TA20 includes an integrated USB terminal in its compact body and after editing images within the camera, the user simply connects the camera to a computer and the built-in software, which must be installed first, will then always launch automatically upon connection. The HM-TA20 can also be used as a web camera, for online video chatting. Additionally, extended voice recording is also possible, for recording and storing sounds.

The Panasonic HM-TA2, is also a compact and mobile camera with the same features as the HM-TA20, except it is not waterproof, dustproof and shockproof. Like the HM-TA20, the HM-TA2 features the Night View Mode, a large 3.0-inch LCD for easy and intuitive Touch Operation for controls such as, play, record, stop, zoom, and also settings such as edit – all accessible with the touch of a finger.

The three new Dual Cameras, the HX-WA10, the HX-DC10 and the HX-DC1, all of which have an easy-to-hold vertical design, making it easy and seamless to shoot full-HD videos (1920 x 1080) or photos – without having to switch between the two settings as there are separate video/photo capture buttons. The HX-WA10 is waterproof down to approximately 10 feet*3 making it extremely versatile, and the HX-WA10 and HX-DC10 models include Panasonic’s Backside Illumination (BSI) technology, which allows for optimal shooting in dimly-lit conditions.

Panasonic’s three new Dual Camera models record video in the MPEG-4 AVC file format (MP4), which is convenient for uploading images to the Internet or editing on a computer. Beyond the full-HD video capabilities, the HX-WA10 and HX-DC10 also offer 16-megapixel still photos, while the HX-DC1 takes 14-megapixel photos – resulting in high-quality images. All three models can take 2-megapixel still photos while shooting full-HD videos. Despite being compact in size, all three models have a powerful 5x optical zoom, giving the user more range when shooting video and photos.

For more information, please visit, www.panasonic.com.

We weren’t exactly underwhelmed when we saw the 1080p HD video the Galaxy S II is capable of, so this improvement in quality is even more welcome. Natively the Samsung records roughly 16Mbit/s 1080p HD, spitting out MP4 files using the H.264 codec with AAC mono audio.

The mono limitation is still present – that’s down to the single microphone, of course, and software hacks can’t exactly grow the Galaxy S II another one of those AnonymousCoward points out that the GSII does have a second microphone, but right now it’s not being implemented - but otherwise this is the sort of hack that we expected excitable Samsung owners to come up with. Unfortunately there’s no public release of the mod, so we’ll have to wait for hyperX to polish it up before we can try it out ourselves.

Update: While we wait, xda-developers member Potatoman tells us that his GSII camera mod is already available. It doesn’t tinker with the video bitrate – Potatoman reckons he didn’t see enough quality improvement to warrant the increase in file size – but it does boost audio quality to 192kbps/44.1Khz quality from the standard 64kbps/16khz. You can download it here.

Current broadcast 3D systems basically squash the left and right eye image into a single frame, which are then expanded out and upscaled by the TV itself. That means the broadcasters can use the same HD pipes to send over 3D, but at the cost of picture quality.

The new Japanese Hybridcast system, however, uses digital broadcast paired with IPTV or internet-based video, with the Full HD picture for one eye going over the former and the Full HD picture for the other eye going over the latter. Since IPTV can lag behind broadcast TV, “time stamp signals that are embedded in airwaves for synchronizing video and called PTS also in video data to be transmitted via a communication line” are used to make sure the two feeds are matched up correctly when they reach the HDTV, the NHK Science & Technology Research Laboratories said. “And we synchronize images for the right and left eyes based on PTS on the side of TV.”

3D sync is just one of the uses envisaged for the timestamping, which the NHK team rely on for their new Hybridcast system. That promises to deliver content to tablets and other companion devices that’s linked with what’s playing on the TV at that point in time, mixing together internet- and broadcast-based content with no difference between the two visible to the end-user.

The 3D system uses an Arisawa Xpol polarizer film that splits the picture into left and right eye images. What it does mean is that you give up some of the vertical resolution, taking the panel down to 1920 x 540, since Xpol angles every other line at each eye.

The 16.8m color display has a 160-degree viewing angle (both horizontal and vertical) and 72-percent NTSC color gamut coverage. As you can see in the DigInfo video below, Ortus envisage the screen showing up in 3D camcorders to allow real-time previews; however, we’d also be very excited to see it on a next-gen games console like Sony’s NGP

[via Electronista]

Screen Stream will, it’s said, take the 1080p display the new high-definition Stream is capable of, and split the four individual views of multiplayer games, squirting one to each player’s controller. The TV can then show different camera angles or even be turned off completely. There’s also the possibility of “Virtual Console Games” similar to the tiny titles playable on SEGA’s DreamCast controllers.

As for the main hardware, Nintendo is said to be using a custom triple-core processor based on IBM’s PowerPC chipset, similar to the Xbox 360, though with higher clock speeds than the Microsoft console. It will be paired with a revamped version of AMD’s R700 GPU, expected to be faster than the PS3′s NVIDIA 7800GTX-based graphics chip. Foxconn is handling production.

The Wii 2, or Stream, could reach the market as early as mid-October 2011, though it’s possible that Nintendo could hold off from releasing the HD-capable console until early 2012. That would allow developers to build up a catalog of titles to take advantage of the Screen Stream technology. Pricing is believed to be in the region of $350 to $400.

Handy for a sauna, though most of the time you’re probably not allowed to film in there anyway. Other specs include still shooting with autofocus and an F2.2 lens, digital image stabilization and microSD/SDHC for storage. The 1,300mAh battery is apparently good for up to 2hrs of continuous use, and it’ll withstand 3m submersion in water or 2m drops.

A flip-out USB plug makes for easy offloading of your footage, and while you could obviously then spend time post-processing it, the W200 itself allows you to momentarily pause recording (without then starting a new file) as well as offering a couple of video effects (including an “extreme sports” style fish-eye setting). The Samsung HMX-W200 will go on sale in May, priced at $159.

Press Release:

Samsung Introduces Multi-Proof W200 Pocket Cam for Full HD Filming Anywhere
The ideal vacation pocket cam features the best in imaging technology and specialized underwater features for great video anywhere

SEOUL, Korea – April 20, 2011 – Samsung Electronics Co., Ltd, a global leader in digital media and digital convergence technologies, has announced the launch of its W200 Pocket Cam. The W200 is designed so it can be taken anywhere to capture brilliant video in the toughest conditions, particularly underwater, thanks to features such as a 5 megapixel BSI CMOS sensor and F2.2 Bright Lens. Created for those whose active lifestyles demand both durability and quality, it houses Samsung’s leading imaging technology in a shock, water and dust-proof rugged body.

The W200 is built to withstand the elements to produce high-quality video in almost any circumstance and thanks to specialized functions, it makes brilliant underwater video easier to achieve than ever. It is waterproof up to three meters, making it suitable for great video of a relaxed day by the pool or even up-close shots of coral reefs. The W200’s anti-water drop coating also means that the LCD screen will stay free of condensation, even in damp conditions, so you can film without wiping the screen. The lens also features anti-fog coating that lets steam disperse so you always have clear, blur-free videos and pictures even straight after coming out of the pool. To make capturing amazing underwater footage simple, the W200 also includes an Aqua Mode setting, which automatically sets the ideal parameters for the bright and clear underwater video. Despite being slim and compact, it is also shock-proof and dust-proof and so is the perfect addition to a backpack for any trip and robust enough for worry-free family vacations with young children. Because the W200 is designed to be taken anywhere, it also comes with a built-in USB arm to make it easy to share your adventure.

Innovative Samsung technology ensures that filming on-the-go never means a loss of image quality or brightness. The W200 is built with a 5-megapixel BSI (Back Side Illuminated) CMOS sensor, which delivers double the sensitivity of previous CMOS sensors, capturing footage with dramatically reduced image noise and distortion. Along with this, the W200 includes a bright F2.2 lens to give users the ability to shoot during low-light conditions for stunningly clear, sharp, blur-free images. The camcorder shoots in Full HD resolution to let you capture every moment in rich, dynamic detail and displays your video on a 2.3” 230K clear pixel LCD screen.

In addition to delivering high-quality video, the W200 makes it easy to both manage your video files and be creative with them too. With Samsung’s Record Pause feature, users can pause briefly during filming and then resume from the exact same moment. When filming is complete, footage will all be in the same file, removing the need to merge them and making uploading and sharing hassle-free. To have more fun with filming, whether at the waterpark, on a rollercoaster or just capturing a special family moment, the W200 has two special Smart Filter features. Vignetting allows users to fade the edges of shots and the Fish-Eye setting creates an arty, distorted feel for unique and interesting footage.

“The W200 is the ideal Pocket Cam for anyone who wants to experience life to the fullest and share those experiences with friends and family,” said Mr. Hyunho Chung, Executive Vice President and Head of the Digital Imaging Business, Samsung Electronics. “It’s tough enough for filming a backpacking trip or vacation with small children, and light enough to carry around with you every day, so that you never miss a moment. We’ve used the latest in Samsung technology to make sure that you’re able to capture a faithful memory of your experiences, wherever you go. The W200 is the Pocket Cam that you’d never want to leave at home – it’s reliable and easy to use, whatever adventure you’re setting out on.”

It’s also smaller and lighter than the D5000 it replaces, despite borrowing the CMOS sensor from Nikon’s D7000. The standard F-mount means plenty of Nikon lenses to choose from, and it can record video at 24p, 25p or 30p in up to 1080p resolution. Storage is via SD/SDHC/SCXC memory card.

There’s even a quiet shutter release mode, for when you don’t want to scare the children, and HDMI connectivity with support for being remotely-controlled by your TV’s remote. An optional $180 Stereo Microphone ME-1 can be used to reduce autofocus noise during video recording. Pricing will be around $900 for the Nikon D5100 body-only.

Press Release:

Digital-SLR camera Nikon D5100

Horizontal swing out, vari-angle monitor for better viewing, full-HD movie recording function and simple, orthodox operation for capturing the intended photos

TOKYO – Nikon Corporation is pleased to announce the release of the Nikon D5100, a Nikon DX-format digital-SLR camera equipped with a vari-angle monitor, and a CMOS image sensor and the EXPEED 2 image-processing engine that enable high-resolution rendering and rich expression of tones.

The D5100 is a member of the popular D5000 series. The D5000 was the first Nikon digital-SLR camera equipped with the vari-angle monitor that allows users to enjoy flexible shooting from a wide variety of angles. The vari-angle monitor adopted for the D5100 has been enlarged to three inches, and utilizes a side hinge that enables flexible use from more angles with hand-held shooting and when the camera is mounted on a tripod. The camera is also equipped with the D-Movie function that supports recording of full-HD (1920 X 1080p, 30p) movies, as well as a Special Effects mode with which a variety of special effects can be applied to still images and movies. The D5100 was designed to respond to the needs of a broad range of users, from those using a digital-SLR camera for the first time, to those looking for a camera that allows them to express their individual sense of creativity through still images and movies.

D5100 Primary Features

A high-resolution Nikon DX-format CMOS image sensor with an effective pixel count of 16.2-million pixels, an image-processing engine that provides superior image quality and rich expression of tones, and the new High Dynamic Range (HDR) function

HDR sample image
The D5100 is equipped with the same DX-format CMOS image sensor and EXPEED 2 image-processing engine as the high-end D7000 digital-SLR camera. These features enable capture of high-resolution images with excellent expression of tones. With standard sensitivity settings of ISO 100–6400 and additional increases up to Hi 2 (ISO 25600 equivalent), the camera offers improved capability with shooting under dim lighting, such as in the evening or indoors, and also produces better results with capture of rapidly moving subjects. The High Dynamic Range (HDR) function captures two shots of varying exposure each time the shutter-release button is pressed, and then combines the two shots into a single image with a broad dynamic range. Resulting images beautifully recreate the scene as seen with the naked eye, even with shooting of backlit scenes, with little or no loss of detail in shadows or highlights.

3-in., approximately 921k-dot vari-angle monitor with wide viewing angle and increased visibility

Vari-angle monitor movement diagram
Visibility has been increased with the large 3-inch, approximately 921k-dot high-resolution vari-angle monitor adopted for the D5100. In addition, the range of colors that can be reproduced by the monitor is equivalent to that of the sRGB gamut. Adoption of a side hinge for the vari-angle monitor prevents the monitor from hitting the tripod when it is opened while the camera is mounted on a tripod. The vari-angle monitor opens from 0 to 180° to the side, and can be rotated up to 90° clockwise and up to 180° counter-clockwise when it is open. This enables shooting from a wide variety of angles, from low to high, making even self portraits possible.

D-Movie for recording and editing of Full-HD movies
The D5100 is equipped with the D-Movie function that enables recording of high-definition movies (1920 X 1080p, 30p) exhibiting superior video quality. Autofocusing during movie recording is possible using contrast-detect AF. When the focus mode is set to full-time-servo AF (AF-F) and the AF-area mode to subject-tracking AF, the camera automatically maintains focus on a subject moving throughout the frame. The D5100 also offers in-camera movie editing functions that allow users to save a single frame as a still JPEG image or delete unnecessary portions from the beginning and/or end of movie files. What’s more, the D5100 is equipped with built-in support for stereo audio recording via the Stereo Microphone ME-1 (available separately), and the mode dial and live view switch have been positioned on the same spindle in consideration of operational ease.

Mode dial, live view switch image(s)

Stereo Microphone ME-1 image

The optional Stereo Microphone ME-1 can be used to record sound in stereo while also preventing noise caused by lens vibration being recorded during autofocus.
The first Nikon digital-SLR camera to offer Special Effects mode
The D5100 offers special effects that can be selected and applied with both shooting of still images and recording of movies. Special effects are displayed with the view through the lens in the monitor before shooting or recording begins, allowing users to confirm the desired results in real time. Users can easily enjoy adding special effects to movies. This mode was adopted to respond to the creative intent of users searching for a way to express their own unique style and creativity.
The Special Effects mode built into the D5100 offers seven special effects, including Selective Color and Color Sketch.

Favorite Special Effects Selective color

Selective color sample image
All colors other than those selected by the user are recorded in black and white. Up to three colors can be selected at a time.

Color sketch
The camera detects and colors outlines for a color sketch effect. Users can use the monitor display to adjust the vividness of colors and the thickness of outlines.
Miniature effect
Distant subjects appear as miniatures for a diorama effect. Users can choose the orientation (vertical/horizontal) and width (narrow/normal/wide) of the area that will be in focus.
Night vision
When this option is selected, extremely high ISO sensitivities are used (up to ISO 102400 equivalent). This enables shooting under conditions of darkness while verifying the subject and composition in the monitor.
*RAW recording is not possible. Still images can only be recorded in JPEG (black-and-white) format. Only contrast-detect AF can be used.
Additional Features and Functions

High-speed continuous shooting at up to approximately 4 fps*,and a very precise and durable shutter unit that has passed testing for 100,000 cycles
Equipped with Quiet shutter-release mode for shooting in situations in which quieter shutter operation is desired
Infrared receivers for remote control operation on the front and back of the camera enable wireless control over the shutter from both in front of and behind the camera (optional ML-L3 wireless remote control supported).
Equipped with 16 scene modes that enable the simple capture of beautiful photos of the desired scene with automatic optimization of camera settings
Built-in HDMI-CEC compatibility enables control over playback of still images and movies using the television’s remote control when the camera is connected to a high-definition TV via the HDMI connector.
*Manual focus, M or S mode, shutter speed 1/250 s or faster, and other settings at default values

There’s also the choice of using an uncompressed HDMI output (complete with time-code) or the integrated Memory Stick, SD or optional HXR-FMU128 flash memory storage, and a lens adapter for using other formats. The E18-200mm lens is included in the box, with F3.5-F6.3, autofocus and optical SteadyShot zoom. Fast and slow motion recording is supported, at up to 50fps at Full HD resolution.

The camera’s design is modular, so the handgrip, viewfinder, LCD and other components can be detached and/or repositioned depending on how you’re shooting. The Sony NEX-FS100 is priced at $6,550; availability is expected in July 2011.

[youtube 0S7AYpqZi2g]

[via SonyAlphaRumors and via crews.tv]

Although Samsung expects the Series 7 and Series 9 to spend most of their time hooked up to computers, they also offer two HDMI inputs, an HDTV tuner, picture-in-picture with a second coax input, and Smart Hub smart TV functionality. The latter offers home network content search and streaming, video recommendations, and Samsung Apps for widgets and more.

USB, 7W speakers and full 100-percent sRGB coverage round out the main specs, while the TA950 gets an asymmetric stand and super-skinny bezel, and the TA750 uses a more traditional “touch of color” design. The new models will go on sale from May 2011, priced from $599.99.

Press Release:

SAMSUNG UNVEILS POWERFUL 3D MONITORS FOR STYLE-CONSCIOUS CONSUMERS

New Displays Add 3D Immersion and Easy Connectivity to Samsung’s Signature Visual Experience

RIDGEFIELD PARK, NJ, March 16, 2011— Samsung Electronics America Inc., a subsidiary of Samsung Electronics Corporation, today announced the launch of two new HDTV monitors that incorporate Samsung’s proprietary 3D, Smart Hub and ConnectShare technologies into truly unique designs. The Samsung 3D LED HDTV Monitor Series 9 (TA950) and Series 7 (TA750) displays offer a pristine yet versatile viewing environment for the world’s growing array of 3D content, further reinforcing Samsung’s leadership among monitor brands.

“As all the major studios and game companies continue to boost the availability of high-quality 3D content, a 3D monitor will be an essential part of any home’s 3D ecosystem,” said Young Bae, director of display marketing, Samsung Enterprise Business Division. “Samsung’s latest display technologies and designs ensure we will maintain our leadership, not only in the LED and monitor categories, but also in 3D entertainment.”

Picture Perfect, Even in 3D
Since launching the world’s first 120Hz 3D monitor in July 2009, Samsung has reinvented the 3D monitor experience to provide more stunning picture quality and access to a wider array of content options. Samsung’s TA950 and TA750 displays incorporate Samsung’s proprietary 3D technology – 3D HyperReal Engine – which optimizes color, motion and contrast for hyper-realistic 3D viewing. Combined with a full HD 1920×1080 resolution and ultra-fast refresh rate (120 Hz in the 3D mode), the TA950 and TA750 displays are ideal for intense 3D PC or console gaming or for watching action-packed 3D video content like movies and sports.

More than just a PC monitor, the displays are compatible with a wide array of 3D and 2D devices, such as Blu-ray players, game consoles, set-top boxes, and 3D digital cameras and camcorders, enabling truly immersive playback on the widest variety of 3D content. Samsung’s latest products also offer boundless 3D content through a feature that converts 2D content into stunning 3D in real-time.

Through all of this, the TA950 and TA750 monitors offer superior picture quality in the monitor industry, whether on 2D or 3D content. Samsung’s new Ultra Clear Panel technology minimizes the reflection of external light, enhancing the color and clarity while minimizing glare. Both the TA950 and TA750 support Photo Accuracy 100%, which provides full 100% sRGB coverage, ensuring the colors users see in real-life are replicated on their monitor screens.

Samsung is the only company to offers a complete 3D monitor solution in a single package. Both the TA950 and TA750 feature a built-in sync emitter that work seamlessly with the pair of 3D active-shutter glasses that come bundled with each monitor. The package also includes middleware to enjoy most popular games in 3D. The new displays also feature two built-in 7-watt speakers that allow users to enjoy the benefits of 3D sound.

Form Plus Function
Designed with style-conscious consumers in mind, the TA950and TA750 monitors – available in 23” class (23” diag.) and 27” class (27” diag.) – feature razor-thin screens and unique designs. “Consumers increasingly expect products that blur the boundaries between art and life,” said Young Bae. “Samsung reflects this desire by providing the most immersive picture quality in both 2D and 3D and by designing our products to be as bold or unobtrusive as desired. Our new designs go well beyond the traditional concept of the monitor as a simple picture box.”

The TA950 features unique and unexpected curves, crafting an elegant shape. Its narrow bezel allows users to immerse themselves in the screen, while the metallic-silver finish and slim, asymmetrical design offer a clean, modern look. All of the circuitry is housed within the display’s base, resulting in a uniformly ultra-slim form factor. The TA750 display boasts Samsung’s signature Touch of Color design, which draws inspiration from the elegance of nature to add softness to a bold, black and silver design.

Both displays take advantage of their LED-backlit technology to reduce energy consumption by as much as 40 percent over traditional LCD displays. Like all of Samsung’s LED displays, the TA950 and TA750 are free of mercury and halogens, making them easier to recycle.

The Ultimate in Convenience
Providing a wide range of connectivity options, the TA950 and TA750 models offer Samsung’s new Smart Hub, which includes:
- Search All, which makes it easier to search for and access desired content, not only on a PC, but across the Internet and on any connected storage, PC or mobile device within the home network.
- Your Video, which delivers video recommendations based on a user’s viewing history.
- Samsung Apps, the world’s first HDTV-based application store, which offers a range of paid and free apps that help people connect to their various passions – whether in sports, entertainment, information, games or social networking.

Additionally, both models include Samsung’s ConnectShare feature which allows users to simply and conveniently connect devices via USB to enjoy instant playback of video, music and photo files without connecting to a PC. Multiple input ports—including two HDMI inputs—allow users to connect up to seven electronic devices to the monitor, while a built-in HDTV tuner can further expand content choices to include live television. The TA950 and TA750 displays both integrate a convenient picture-in-picture function with use of a separate coaxial cable, allowing for simultaneous activities like editing documents or browsing the internet while watching live TV.

The TA950 and TA750 displays will be available as soon as May 2011, starting at $599.99. All Samsung display products are available through Samsung resellers and distribution channels, which can be located by calling 1-800-SAMSUNG or by visiting www.samsung.com.

There’s also an SDXC memory card slot. JVC offers three different recording modes: the new “LR Independent” format (MP4 MVC) for Full HD; “Side-by-Side” format (960 x 1080 X 2) for AVCHD 3D recording; and 2D AVCHD shooting for regular use. There’s support for YouTube 3D as well.

An SDXC card slot, 3D optical 5x zoom, Optical Axis Automatic Stabilization System and Automatic Parallax Adjustment round out the main specs. As we discovered back at CES, the GS-TD1 packs an impressive amount of tech into a reasonably small package; find more in our hands-on report here.

Press Release:

JVC First To Offer Full HD 3D Consumer Camcorder

New GS-TD1 3D camcorder now available

WAYNE, NJ, March 7, 2011 －JVC today announced the availability of a new 3D consumer camcorder, the first on the consumer market that offers 3D video recording in Full High Definition. The new JVC GS-TD1 uses two camera lenses and two imaging sensors – one for each lens – to capture three-dimensional images in much same way that human eyes work.

3D video shot using the GS-TD1. What’s more, the camcorder can shoot 3D video that can be burned to a Blu-ray disc or DVD-R for 3D playback on a compatible Blu-ray player.

“With more commercially-produced 3D content coming along this year, sales of 3D TVs are expected to be strong,” observed Dave Owen, Vice President, Consumer Video, JVC U.S.A. “But what could be better than creating your own home videos in 3D? We think there will be plenty of 3D TV buyers eager to do just that. Furthermore, we think they’ll appreciate that our new camcorder offers both Full HD 3D recording and several options for archiving and playing back their 3D footage.”

The JVC GS-TD1 features a pair of 3.32 megapixel CMOS sensors and a new JVC-developed high-speed imaging engine that processes the two Full HD images – left and right images at 1920 x 1080i resolution. Three shooting modes are offered, a key feature that provides several options for HD resolution and archiving of 3D footage. These three shooting modes are: a new “LR Independent” format (MP4 MVC) that records in Full HD, the widely used “Side-by-Side” format (960 x 1080 X 2) for AVCHD 3D recording, and 2D AVCHD shooting.

The camcorder uses a F1.2 JVC 3D Twin HD GT Lens that sets a new standard in high-resolution lenses, with extra-low-dispersion glass for crisp, high-contrast images, as well as multiple aspherical lenses for fine image reproduction. The combination of the fast F1.2 lens and the back-illuminated CMOS sensors provides the GS-TD1 with outstanding low light performance. The GS-TD1 also features round iris diaphragms that enable beautiful bokeh effect (background blurring) shooting of video and stills alike.

Additional highlights include 64GB of built-in flash memory, SDXC card slot, 3D optical 5x zoom, Optical Axis Automatic Stabilization System for disparity control to give depth to 3D images, JVC’s BIPHONIC technology for dynamic 3D sound and Automatic Parallax Adjustment to optimize the 3D-video comfort zone.

The GS-TD1 operates like other consumer JVC camcorders, with easy-to-use, intuitive controls. A 3.5” 3D touch panel LCD monitor displays 3D images without any need for 3D glasses, making it easy to check 3D images while shooting and watch 3D playback in the field.

The GS-TD1 comes with new Everio MediaBrowser 3D software (for Windows®) for full management, editing and sharing of content. In addition to full-fledged video and still image editing, files can be uploaded effortlessly to social media sites such as YouTube™ or Facebook, and the software allows 3D video to be shared on YouTube.

For archiving and playing back 3D recordings, there are several options depending on the shooting mode used.
· Full HD 3D video, shot using the MP4 MVC mode, can be archived to a computer hard drive or Blu-ray disc drive. This Full HD material can be played back in 3D by running the footage back through the camcorder.
· AVCHD 3D (Side-by-Side mode) video can be burned to a DVD-R disc and played back in 3D on any AVCHD-compatible Blu-ray player – including non-3D AVCHD-compatible Blu-ray players – when the disc was created with a PC or JVC Share Station.

The JVC GZ-TD1 Full HD 3D camcorder is available now for $1,699.95.

The “MR” suffix stands for “Multi Recording”, and basically means that while you’re shooting 1080p HD video on the SZ-30MR, you can also fire off still images as well. That’s not especially new, but what makes the difference here is that the Olympus captures stills at full resolution; other cameras which offer simultaneous shooting generally take pictures at much lower resolution than they can normally manage.

The SZ-20 lacks the simultaneous shooting abilities and makes do with a sizeable zoom. Both will go on sale in March, priced at €329 for the SZ-30MR and €219 for the SZ-20.

Press Release:

Introducing the first ever camera to capture Full HD movies & 16 Megapixel stills simultaneously

Olympus Super Zoom Series posts another world first
New SZ-30MR & SZ-20 deliver high-tech at its finest

Hamburg, 2 March 2011 – When Olympus launched the SZ-10 in February, it was hard to believe the zoom in a compact camera could get any more powerful. The new SZ-30MR proves that it can. With a jaw-dropping 24x wide optical zoom (25-600mm*), this state-of-the-art flagship breaks all the rules in the compact category – and it breaks records too. The SZ-30MR is the first camera ever to offer simultaneous recording of 1080p Full HD movies and 16 Megapixel still photos. So with the SZ-30MR, users can shoot in high resolution with different combinations of recording modes at once, then share their shots in the format of their choice. For example, as a movie and digital still or a wide-angle shot and a close-up. Like the SZ-30MR, the new SZ-20 is astonishingly slender for a camera with huge zooming power. The super-slim design makes both SZ models ideal for people who like to travel light but insist on the very best spec. With a backlit CMOS sensor for excellent pictures in low light, 3D photo shooting and Eye-Fi card compatibility, these cameras combine practicality with beauty and sheer imaging power. The SZ-30MR is available for €329, the SZ-20 for €219, both from March 2011.

MR is for a Multi Recording
The SZ-30MR is the world’s first camera to record 1080p Full HD movie and 16 Megapixel stills at the same time – thanks to an ingenious feature Olympus calls Multi Recording. For anyone who’s ever shot a scene one way, then (when it was too late) wished they’d done everything differently, MR is a must. Dual Engine TruePic III+ image processors give the
SZ-MR30 the power to record simultaneously in more than one mode, and in a variety of combinations. Users can record two different movies at once: in wide-angle and close-up; Full HD and lower resolution; or original and filtered (using one of the SZ-30MR’s seven Magic Filters for movies). In addition, with the Photo with Movie Clip setting, it’s now possible to capture moving footage before and after taking a single photo. These innovations give users the fun and flexibility of sharing their shots in a variety of media – from full-size prints to video clips for their favourite social media website. Both new models come with wireless Eye-Fi compatibility, so they can upload photos automatically to the Web – no cables required.

SZ is for Super Zoom
The Super Zoom SZ Series lives up to its name with a 24x wide optical zoom on the SZ-30MR and an equally impressive 12.5x super wide optical zoom on the significantly lower priced SZ-20. With this sort of zooming power it’s easy to take exceptional shots, from the expressive face of a gargoyle high up on a church roof to an emotive movie close-up of battling athletes. The pixel-rich 1080p Full HD movie format ensures the best moving picture quality currently available in a compact camera – with breathtaking realism, clarity and colour when users play back on a large Full HD TV.

S is for state-of-the-art
The SZ-30MR and SZ-20 are packed with the smartest technology the compact camera world has to offer, giving users a host of features that make it easy to get creative, transfer movies or photos wirelessly and capture just the shot they want in excellent quality. Both cameras offer 3D still photo shooting and eight Magic Filters, including the new Sparkle and Watercolour options. Pet Detection mode automatically snaps dog or cat faces just as they look up, while with Smart Panorama, users simply pan from side to side to get a sweeping panorama picture.

The SZ-30MR is available in black for €329, the SZ-20 in silver and black for €219, both from March 2011.

Distinguishing features:

OLYMPUS SZ-30MR

Image Quality

• 24x wide optical zoom (25-600mm*) for exceptional close-ups

Creativity & Flexibility

• Multi Recording with Dual Engine TruePic III+ image processor for recording movies and photos simultaneously, or two movies in different modes or from different angles

OLYMPUS SZ-20

Image Quality

• 12.5x super wide optical zoom (24-300mm*) for superb close-ups
• TruePic III+ image processor for ideal colour reproduction and low noise

Common features:
Image Quality

• 1080p Full HD Movie with sound for capturing movies in the best image quality currently available in compact cameras
• 16 Megapixel backlit CMOS sensor for high-resolution, superb-quality full-size movies, stills and prints, even in low light
• Dual Image Stabilisation for reducing blur with fast-moving shots

Usability

• 3” colour LCD (460,000 dots) for easily framing, reviewing and sharing shots
• Smart Panorama for capturing sweeping stills just by panning the camera
• Handheld Starlight Mode for shooting blur-free at night without a tripod
• Advanced Face Detection and Shadow Adjustment Technology for capturing people’s faces just as you want them
• Beauty Mode for hiding unwanted blemishes
• Intelligent Auto Mode (i-Auto) and AF Tracking for easy setting and focussing
• Pet Detection Mode for automatically capturing dog’s or cat’s faces when they look at the camera
• Scene Mode for automatic settings that suit specific conditions (e.g., Landscape, Night)

Creativity & Flexibility

• Eye-Fi Card compatibility for automatic wireless uploading of images to a website or PC
• 3D photo shooting mode for striking stills
• Magic Filters for adding creative effects to HD movies and/or stills:
Punk, Pop Art, Pin Hole, Drawing, Soft Focus, Fish Eye, plus new Sparkle (photos only) and Watercolour

Other key features

• Photo surfing and [ib] software for browsing, organising and viewing images by person, place, location or event
• HDMI technology for controlling your camera from one remote when it’s connected to HD equipment
• ISO 80 to 3200
• SDHC and SDXC memory card compatible**
• Built-in flash
• In-camera manual
• USB charging

* 35mm camera equivalent.
** SD is a trademark of SD Card Association.

For a full list of features, please go to http://www.countryspecificurl.com

For questions or additional information, please contact:

Julia Rauther
Olympus Europa Holding GmbH
Tel.: +49-40-23773-4258
Email: Julia.Rauther@Olympus-europa.com

http://www.olympus-europa.com

Appendix

1080p Full HD Movie recording
1080p Full HD movie recording (1920 x 1080) offers the best moving picture quality available in a compact camera today. With Full HD, footage is realistic, smooth, bright and clear. Movies become a fascinating window on real life when viewed on a big Full HD TV.

3D Mode (3D photo shooting)
Captures two shots of a scene from two different angles to create still photos that can be viewed with the added excitement and realism of 3D (on a 3D-compatible display). There are two 3D settings: Manual and Automatic. In both settings, the camera indicates when it is time to pan. In Automatic, when the camera is panned horizontally after the first shot, it automatically takes the second shot at the ideal moment. Manual is for 3D experts – the user decides when to take the second shot.

Advanced Face Detection technology
A technology that searches for faces in a composition and recognises them as the main subject. It then automatically puts them in focus and optimally adjusts exposure to create an image that’s sharp in the right places and ideally exposed. Advanced Face Detection Technology can detect up to 16 faces.

AF Tracking
This system tracks a moving subject automatically and keeps it continually in focus – for optimally focused and exposed pictures. It even memorises the subject when it goes out of frame and resumes tracking when it reappears.

Beauty Mode
Beauty Mode touches up the appearance of subjects even while the shot is being taken. This feature recognises faces and automatically makes skin on the face and adjacent areas appear smoother, brighter and more youthful.

Dual Image Stabilisation
Providing two-fold protection, this special function helps to avoid image blur caused by camera shake or fast-moving subjects. It combines high ISO values with a sensor-based mechanical image stabiliser, where a built-in gyro sensor detects camera movement and adjusts the sensor accordingly.

Eye-Fi card compatibility
Lets users insert an Eye-Fi storage card and set it to automatically wirelessly transfer new photos and HD movies to the sharing website and computer of their choice.

i-Auto Mode
The “intelligent-Auto” mode uses advanced automatic detection technology that enables the camera to automatically recognise the most commonly shot scenes. This makes it possible to capture perfect photos without the need for manual settings.

[ib] software
Olympus now offers [ib], an integrated photo browsing and organising software. Images can be organised by person with a new face recognition technology, by place with a GPS-based mapping function or by event.

Magic Filters
Make it possible to create special artistic effects in still images and/or movies directly in the camera.

Fish-Eye: Simulates the dramatic effect of a fish eye lens, lending a new perspective to the whole scene with a “wrap-around” effect.
Pin Hole: Reduces peripheral brightness, like with an image seen through a pinhole. A unique colour tone results in a style that has an air of secrecy or portrays the feeling of being lost in another dimension or space.
Pop Art: Enhances colours, making them stronger and more vivid, to create high-impact pictures that express the light-hearted feeling of the pop art style.
Punk: Displays images primarily in contrasting pink and black to give them an edgy, punk-inspired feel.
Drawing: Transforms images into line drawings to give the impression that subjects have been sketched by an artist.
Soft Focus: Creates a soft tone that gives pictures an ethereal, otherworldly atmosphere. It renders pictures as though they were veiled in heavenly light, without obscuring details such as hair or flower petals.
Sparkle (photos only): Adds twinkling lights to objects.
Watercolour: Another piece of artistic wizardry. This time images are turned into a watercolour painting surrounded by soft light.
Multi Recording
A world-first, Olympus Dual Engine technology allows users to combine various photo and movie recording modes simultaneously:

Photo & Movie: A Full HD movie and 16 Megapixel full-size photos. While users are recording a Full HD movie, they can take a high-resolution photograph as well.
Photo with Movie Clip: Records a Full HD movie before and after taking a photo.
Multi-File Movies: A Full HD movie and a movie with less resolution.
Multi-Framing Movies: A wide-angle and a close-up Full HD movie.
Magic Filter & Original Movie: A regular Full HD movie and a movie with a Magic Filter effect.

Pet Detection
Automatically detects dog or cat faces (two different modes) and works together with the Auto Release to capture the photo the moment the dog or cat turns to face the camera.

Photo Surfing
By selecting this option in the Playback menu, users can opt to browse pictures by date, scene, person, place, or image collection.

Scene Mode
Offers a choice of different scenes to suit the subject being captured, for example, landscape, night, beach and snow or pet. The camera automatically adjusts a host of parameters to achieve the best possible result for the chosen scene.

Shadow Adjustment Technology (SAT)
A technology designed to improve exposure for pictures with dark areas. Using a sensor that works much like the human eye, dark parts of a composition (e.g., a shadow under a tree) are identified and the camera then adjusts the exposure settings accordingly for those areas. The result is a more realistic and detailed picture.

Smart Panorama
Allows the user to create an impressive super-wide angle, wrap-around photo simply by panning the camera horizontally or vertically. There’s no need to pay attention to points of intersection – the camera knits the separate stills together automatically.

TruePic III+ image processor
Automatically enhances important aspects of image quality, including colour reproduction (range, saturation and brightness) and picture sharpness (reduced image noise, improved edge reproduction), as well as processing data faster. Supports the Magic Filters that enable unprecedented creative expression.

It’s supplied with a pair of active shutter glasses and uses three separate Silicon X-tal Reflective Display (SXRD) panels that split up the red, green and blue picture. There’s also 1,000 ANSI brightness and Advanced Iris3 automatic iris control, along with a 24p film mode. Yours for $9,999.99.

[via 3D-Display-info]

The PowerShot SX230 HS has a 14x optical zoom with optical image stabilization, a wide-angle 28mm equivalent lens and a 3-inch preview display, and will drop at the end of March for $349.99. It also has an integrated GPS receiver for geotagging photos.

As for the ELPH 500 HS, ELPH 300 HS and ELPH 100 HS, they have 4x, 5x and 4x optical zooms respectively, and 3.2-inch, 2.7-inch and 3.0-inch displays respectively. The Canon PowerShot ELPH 500 HS will drop at the end of March for $299.99, while the PowerShot ELPH 300 HS and PowerShot ELPH 100 HS will arrive mid-March for $249.99 and $199.99 respectively.

Press Release:

ELEVATING QUALITY WITHOUT COMPROMISE: CANON U.S.A. INTRODUCES FOUR NEW POWERSHOT CAMERAS WITH CANON’S HS SYSTEM AND FULL HD VIDEO CAPABILITY

Canon Premieres the World’s Thinnest Camera with 24mm equivalent lens, 5x Optical Zoom; Rebrands the PowerShot ELPH Models and Introduces GPS Capabilities in the PowerShot SX230 HS Digital camera

LAKE SUCCESS, N.Y.,February 7, 2011 – When capturing a surprise wedding engagement on Valentine’s Day or a friend’s birthday celebration in a dimly lit lounge, a high-performance camera withextraordinary features is essential to enhance the ambiance of these moments. Helping to better capture the moment, Canon U.S.A., Inc., a leader in digital imaging, today announced four new PowerShot Digital cameras: the PowerShot SX230 HS, ELPH 500 HS, ELPH 300 HS and ELPH 100 HS models. With these new introductions, Canon debuts the world’s thinnest 24mm wide angle, 5X Optical zoom model1, the PowerShot ELPH 300 HS, along with a Canon-first, GPS-equipped camera, the PowerShot SX230 HS model. In addition, all four cameras come equipped with Canon’s HS SYSTEM for exceptional shooting in low-light, Full 1080p HD video, new Movie Digest Mode and 32 Smart AUTO scenes.

“Canon’s core philosophy when launching a camera product is to discover new and innovative ways to redefine the photographic experience.” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. “Consumers are always looking for the most advanced technologies and these new PowerShot models combine the high-level features and overall functionality the end-user has been seeking.”

Rebranding of the ELPH models:

Showcasing the true evolution of the ELPH brand, the new PowerShot ELPH models have now instituted a “HS” suffix to represent the inclusion of the HS SYSTEM in each model. The renaming of the ELPH model will help to better correlate with Canon’s ever-increasing capabilities in its PowerShot Digital cameras, while retaining its popular identity. With the ELPH 500 HS, ELPH 300 HS and ELPH 100 HS Digital cameras, the new names of the ELPH models will also serve as an easy solution to help consumers make an informed decision about which camera to purchase.

Introduced last year, the HS SYSTEM is a technology used to enhance image quality in low-light situations without the need for a flash. Making up the HS SYSTEM in these new models is Canon’s DIGIC 4 Image Processor combined with a High-Sensitivity CMOS sensor, which helps to reduce noise at high ISO levels and expand the camera’s dynamic range, ultimately capturing greater detail and color in images in darker settings, like a wedding reception. With the use of the HS SYSTEM, consumers are able to capture clearer images with less noise and blur, resulting in brilliant, sharp images.

It’s all about location, location, location

When vacationing in Venice or taking a family-camping trip, there are many opportunities to capture a keepsake photo. However, years later, it may be difficult to remember the location the image was taken. Canon’s new GPS feature in the Canon PowerShot SX230 HS model will help make it easier to pinpoint the exact spot2. Through a dedicated receiver, the camera is able to collect signals from GPS satellites to obtain the latitude, longitude and altitude and records this information to the image’s EXIF data3. The map utility software included with the camera permits viewing of photos on a map and shows the location of where the image was shot. The PowerShot SX230 HS also has an internal GPS logger, another first for a PowerShot model, helping to track the day’s route on a map, making it a useful application for long-term trips.

Shooting video like never before

Having the ability to shoot HD video is imperative when capturing a full sequence of events, such as attending a high-end runway show in New York City or witnessing a baby’s first steps. The Canon PowerShot SX230 HS, ELPH 500 HS, ELPH 300 HS and ELPH 100 HS now feature Full 1080p HD video with Dynamic Image Stabilizer, providing secure, stellar resolution in a compact frame. A new feature called Movie Digest mode can be found in all the new PowerShot models, allowing consumers to shoot a short video before capturing a still image and then combine a full day’s worth of videos into one clip, making it easier for consumers to relive those special moments again and again.

Increase intelligence with Smart AUTO

The quest to capture the perfect image can be difficult if the camera does not have the correct settings. Helping to make the photographic journey that much easier, the new Canon PowerShot Digital cameras have advanced Smart AUTO with 32 different shooting scenes. Smart AUTO is helpfulsince the camerawillautomatically select settings that match the scene without the need to switch modes, making it possible to take beautiful photos in a variety of situations. Tracking desired objects on a screen with ease, Advanced Subjection Detection has been added to the Smart AUTO function as well, providing the successful capture of fast moving objects, vehicles or birds flying across the sky. By simply pressing the shutter button, the Advanced Subject Detection automatically identifies certain objects like a fish in an aquarium. After pressing the shutter button, the Servo Auto Focus/Auto Exposure continues to function and the focus and exposure of the moving subject continues to be tracked, making it possible to shoot without the subject passing by.

Helping to add more artistic flair to images is the inclusion of Toy Camera effect and Monochrome effect to the scene mode category for all four of the new Canon PowerShot models. Toy Camera Effect adds a grainy, blurred look to soften photos, illustrating an old-school, 1960’s appearance and Monochrome mode can make a photo either have black-and-white, blue or sepia tones, displaying a more classic, antiqued appearance.

PowerShot SX230 HS Digital Camera:

Available in black, red and blue, the Canon PowerShot SX230 HS Digital camera features a

12.1-Megapixel High-Sensitivity CMOS Sensor with a powerful 14X Optical Zoom with Optical Image Stabilization. This new camera also includes a wide-angle 28mm equivalent lens, aiding in the capture of group pictures and a 3.0-inch LCD screen for easy viewing and scrolling through menus.

The PowerShot SX230 HS will be available at the end of March for an estimated selling price of $349.99.

PowerShot ELPH 500 HS, ELPH 300 HS and ELPH 100 HS Digital cameras:

Available in silver, brown and pink, the Canon PowerShot ELPH 500 HS features a 3.2-inch wide, intuitive, touch-panel LCD screen. The PowerShot ELPH 500 HS also has a bright f/2.0 lens, enabling users to take photos without a flash, resulting in a more natural look while providing greater depth of field. The camera also possesses a 12.1-Megapixel High-Sensitivity CMOS sensor along with a 4.4X Optical Zoom with Optical Image Stabilizer and an ultra-wide angle 24mm equivalent lens, which is ideal for large group shots at a family reunion or high school graduation.

The Canon PowerShot ELPH 300 HS Digital camera has a 12.1-Megapixel High-Sensitivity CMOS sensor, 5X Optical Zoom, an ultra-wide angle 24mm equivalent lens along with a 2.7-inch LCD screen and is available in red, black and silver. The PowerShot ELPH 100 HS Digital camera possesses a

12.1-Megapixel High-Sensitivity CMOS sensor, 4X Optical Zoom, a wide angle 28mm equivalent lens and 3.0-inch LCD screen and comes in blue, gray, pink, silver, and orange.

The PowerShot ELPH 500 HS is scheduled to be available at the end of March for the estimated retail price of $299.99, while PowerShot ELPH 300 HS and PowerShot ELPH 100 HS Digital cameras are scheduled to be available in mid-March for an estimated selling price of $249.99 and $199.99 respectively.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with 2009 global revenues of US $35 billion and is listed as number six in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2010 list. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei.To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

# # #

1As of January 28, 2011.

2In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country.

3As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

†Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, specifications and prices subject to change without notice. Actual prices are set by the individual dealer and may vary.

That’s still not exactly cheap, but then there’s not much in the way of competition on the market at the moment. The GS-TD1 is the first consumer camcorder to record 3D in Full HD resolution, using a pair of 3.32-megapixel CMOS sensors, each capable of 1920 x 1080i, and the new Falconbird processor.

There’s also a glasses-free LCD preview display with a touchscreen for controlling the major features, and a 10x optical zoom. All impressive stuff, and we won’t argue a $300 cut ahead of its sales debut.

[Thanks Andy!]

The prominent barrel hides a 10x optical zoom and a back-illuminated sensor capable of up to 10-megapixel stills or 1080/60p HD video recording at up to 36Mbps. Notch down to 5.7-megapixels and you can shoot at a crazy 60fps, while ISO ranges from 100 to 6400.

On the back is a 3-inch, 230k dot touchscreen with a twisty-tilty mount for vanity filming, while storage is courtesy of an SD/SDHC/SDXC card to augment 32GB of internal capacity. Optical image stabilization and a battery good for up to 320 shots round out the key specs. If the image quality is as good as the appearance, this could be one mighty appealing camera when it arrives later in the month.

The company expects the CE150 to go into mass production in March, with manufacturer samples already available now. No word on which manufacturers might be signing up, but hopefully they’ll do the sensible thing and pair the Renesas sensor – and the high-res CMOS it will work with – with some decent optics as well.

Update: We originally reported the CE150 as a CMOS, whereas it’s in fact an ARM-based SoC for use as a camera engine. Thanks to James for the clarification!

[via Textually]

Physical controls are limited to a record button and zoom ring; everything else is handled by the 2.7-inch touchscreen. There’s optical image stabilization, Smart Auto scene selection and Record Pause, for pausing continuous filming of a single clip.

A few manual settings round things out, including white balance, exposure and backlighting, as well as a few others, though this is really more a point-and-shoot. The Samsung HMX-Q10 will drop in February 2011, priced at $299.

Press Release:

Samsung Innovation Makes Capturing Video Easier Than Ever with the Practical and Affordable Full HD HMX-Q10 Camcorder

Samsung innovation creates simple and intuitive controls for effortless recording

CES, Las Vegas – January 3, 2011 – Samsung Electronics Co., Ltd, a global leader in digital media and digital convergence technologies, today announced the launch of the latest model in its camcorder portfolio, the HMX-Q10. The HMX-Q10 has been designed to highlight Samsung’s full HD camcorder technology with a BSI CMOS sensor, and makes recording movies easier than ever before, using ground-breaking technology and smart features such as its innovative Switch Grip technology. As a new addition to the Samsung line-up for 2011, the HMX-Q10’s Easy Operation and Smart Access user interface (UI) makes Samsung’s innovations in video capture more accessible than ever, allowing everyone to record excellent quality video.

Samsung has created the HMX-Q10 to be a compact, practical and easy-to-use full HD camcorder that combines the best in Samsung innovation with incredibly simple functions, all available at an affordable price. The HMX-Q10 combines the world’s first Switch Grip with Easy Operation via an LCD screen. The Switch Grip means that no matter how the camcorder is held, the G-magnetic sensor inside the HMX-Q10 recognizes the angle and turns the LCD display so it’s easy to see, and controls recording easily from any angle. Easy Operation means that users can control detailed processes, turn the camcorder on and off and operate the playback function easily through the LCD screen, so controlling the device is intuitive and fuss-free, and viewing footage is as easy as capturing it. The HMX-Q10 also features a prominently placed record button that makes capturing video extremely simple, and straightforward. The slim and durable body also means that the HMX-Q10 is compact and light enough to be taken anywhere, and the product is so versatile it can also double as a 4.9 Megapixel (MP) still photo camera.

The HMX-Q10 sets the tone for the Samsung 2011 camcorder range, and raises the bar for affordable and easy-to-use camcorders built on the latest cutting-edge technology. The camcorder is the product of years of Samsung expertise in digital imaging, and is based on detailed customer insight research, revealing that simplicity and affordability are a key priority for an increasing number of camcorder users.

“The launch of the HMX-Q10 is particularly important for us as it is one of the best demonstrations of Samsung’s continuing innovation, providing high performing features and design in a model that makes the best camcorder experience available to all our customers,” said Mr. Hyunho Chung, Executive Vice President and Head of the Digital Imaging Business, Samsung Electronics. “For example, we have developed the world’s first Switch Grip technology so that the HMX-Q10 adapts to the consumer’s lifestyle and setting – not the other way around. In addition, Easy Operation via the LCD and Smart Access UI takes the confusion out of recording, so that you can instantly record brilliant movies from the very first time you pick up the camcorder without the need for an instruction manual.”

The world’s first Switch Grip (either-handed grip)
As a brand-new addition to the Samsung camcorder portfolio, the HMX-Q10 is built around the needs of the consumer who wants to capture their movies without fuss or complication. Samsung has developed the world’s first Switch Grip technology, which ensures that when filming, the LCD screen adapts to how the camcorder body is being held. Whether you are left- or right-handed, shooting in difficult positions or combining recording film with other activities, you can always maintain perfect control over your video. The body of the HMX-Q10 has also been streamlined and made more compact so it can easily be carried anywhere.

Intuitive Easy Operation for ease of use
The HMX-Q10 includes a brand new Easy Operation and Smart Access UI that makes using the camcorder easier to use than ever before. Featuring an intuitive and clearly visible record button, the HMX-Q10 offers the best and most convenient operating system on the market, as it eliminates the need to have many separate buttons and keys to control the camcorder. Easy Operation via the 2.7” wide LCD screen allows the user to perform a variety of functions, including a pause function allowing you to stop and work out the best angle for your recording experience, the ability to turn the camcorder on and off, and playback mode so users can immediately review their footage. The camcorder’s intuitive Smart Access UI feature grants users the opportunity to operate the camcorder’s advanced functions and manage detailed processes with ease.

The best in high-quality video
The Samsung HMX-Q10 is based on quality components and functions to help consumers capture brilliant, clear videos in astonishing quality, effortlessly and regardless of the situation. The HMX-Q10 captures video in 1920×1080/60i full HD, and includes an OIS (Optical Image Stabilization) Duo system to compensate for hand-shaking better than ever before, creating a stable, clear video every time – even when walking or moving around. The HMX-Q10’s features also include a 5MP BSI CMOS sensor, which records with twice the sensitivity of normal CMOS sensors, dramatically reducing noise and distortion while also enhancing recording quality in low-light conditions, so great quality video can be captured in any situation.

The HMX-Q10 also features an upgraded version of Samsung’s Smart Auto scene recognition technology, which analyzes key elements of the composition of the footage such as brightness, motion, color and subject and then selects the most appropriate settings to produce the best results possible. For the HMX-Q10, Samsung Record Pause technology has also been introduced, allowing the user to take brief pauses in filming before re-starting, so they don’t need to merge files when finished. This allows for easier editing and makes the HMX-Q10 perfect for filming at sports events or parties. In addition to great movie functions, the HMX-Q10 can also capture 4.9MP still photos, giving users the ability to capture brilliant snapshots without the need to carry a camera. With the intuitive LCD touch screen, powered by the new Smart Access UI, users can record and review their videos easily and enjoyably.

Users can also choose to adopt more manual control. With the HMX-Q10’s Easy Manual Mode setting, users can access and calibrate the entire breadth of easy-to-use manual features (White Balance, Exposure Values, Backlighting, Self Timer, and C.Nite) through the intuitive interface. The new Art Film function also means that video can be captured in more creative ways, using special effects such as Time Lapse and Black & White, making video recording fun and easy.

Onboard are stereo microphones, but the AF100 also has two mic/lines and twin XLR inputs with phantom power. Other ports include an uncompressed 4:2:2, 8 Bit HD-SDI output, HDMI out and USB 2.0. It’ll shoot for up to 4hrs on a single charge.

Not cheap, then, but considering all you’re getting we’re not surprised that pro and prosumer cinematographers are excited at what the AF100 brings to the table. It’ll have to be good, too; Sony recently unveiled its 3D pro camcorder, which promises similar lens flexibility sometime in 2011.

Press Release:

Panasonic Delivers AG-AF100, the Affordable Large Imager Cinema Camera

Advanced, Custom-Designed 4/3” Sensor Delivers Depth of Field and Field of View Similar to a 35mm Movie Camera; Camcorder Uses Low-Cost Still Camera and Film-Style Lenses

SECAUCUS, N.J.–(BUSINESS WIRE)–Fulfilling the holiday wishes of filmmakers worldwide, Panasonic Solutions Company today begins deliveries of the AG-AF100, the industry’s first professional micro 4/3-inch video camcorder optimized for high-definition video recording. Available now at a suggested list price of $4,995, the AF100 offers a new level of affordability for HD motion image quality.

Targeted at the film and video production communities, the AF100 delivers film-like shallow depth of field and the wider field of view of a large imager, with the flexibility and cost advantages of a growing line of professional quality, industry-standard micro 4/3-inch lenses, filters, and adapters. The full HD 1080/720 production camera offers superior video handling, native 1080/24p recording, variable frame rates, professional audio capabilities, and compatibility with SDHC and SDXC media.

“The design of the AF100’s advanced, custom-designed 4/3-inch sensor affords depth of field and field of view similar to that of 35mm movie cameras in a more affordable camera,” said Jan Crittenden Livingston, Product Line Business Manager, Panasonic Solutions Company. “What’s more, Panasonic engineering ingenuity has resolved the aliasing and moiré that has haunted the DSLR shooter. In fact, the AF100 was based on what we heard from and saw customers doing: purchasing DSLR cameras because they liked the look of the image, but then agonizing over all of the workarounds required to achieve an acceptable high definition recording.”

The AF100 incorporates a large 4/3-inch, 16:9 MOS imager (with an imaging area just slightly smaller than 35mm cinema film) that minimizes skew with fast imager scanning, and incorporates an optical low pass filter for elimination of aliasing and moiré. The camcorder records 1080 at 60i, 50i, 30P, 25P (Native) and 24P (Native), and 720 at 60p, 50p, 30p, 25p and 24p native in AVCHD’s highest-quality PH mode (maximum 24Mbps). The AF100 also records in AVCCAM’s HA (17Mbps) and HE (6Mbps) modes, 1080i only. Ready for global production standards, the camcorder is 60Hz and 50Hz switchable. Equipped with an interchangeable micro 4/3-inch lens mount, the AF100 can utilize an array of low-cost, widely-available still camera lenses as well as film-style lenses with fixed focal lengths and primes.

Variable frame rates (VFR) are available in 1080p, selectable in 20 steps from 12p to 60p at 60Hz and 20 steps from 12p to 50p at 50Hz. The camcorder has a built-in stereo microphone and features two mic/lines, switchable XLR inputs with +48V Phantom Power capability. It can record 48-kHz/16-bit two-channel digital audio (in PH mode only) and supports LPCM/Dolby-AC3 in any of the modes.

This newest Panasonic AVCCAM camcorder is the first to enjoy the benefits of advanced SDXC media card compatibility in addition to existing SDHC card support. SDXC is the newest SD memory card specification that supports memory capacities above 32GB and up to 2TB. With two SD slots for continuous recording, the AF100 can record up to 12 hours on two 64GB SDXC cards in PH mode, with automatic clip spanning across the two cards. The AF100 offers still image capture as two megapixel (1920 x 1080) still images.

The AF100 features switchable FILM CAM and VIDEO CAM modes, with VFR operable in FILM CAM. The camcorder has a wide ISO gain setting range that allows sensitivity to be set between ISO 200 and ISO 3200 (in FILM CAM), or gain adjusted between 18 dB and-6 dB (in VIDEO CAM). It also offers a focus assist that can be used while recording, which is color-on peaking and a focus bar; area focus and area iris functions that facilitate recording when the subject is off-center; two sets of adjustable zebras; two manual black and white balance choices, and preset White Balance at 3200K, 5600K or variable; and a waveform monitor and vectorscope for more accurate monitoring of broadcast safe levels.

Weighing only 3.5 pounds (without lens or battery), the AF100 is packed with high-end features including Dynamic Range Stretch in all modes and frame rates; six built-in, customizable scene files that are exchangeable for quick and easy matching between multiple cameras; seven built-in gamma curves with four selectable color matrices; a built-in optical ND filter; adjustable shutter speed and Syncro-scan function; and a high-resolution, variable angle color LCD monitor and tiltable viewfinder.

Standard professional interfaces include uncompressed 4:2:2, 8 Bit HD-SDI out, HDMI out and USB 2.0. The AF100 records SMPTE timecode and is able to perform timecode synchronizing via the video output seeing timecode in, and has an internal down-converter facilitating output of SD (480/576) signals.

Other essential features include a wealth of solid-state recording modes (clip thumbnail display, pre-record, intervalometer function that can be set for up to 24 hours); three User Buttons that can be programmed with up to 14 functions each; a Smart Battery interface for recording up to four hours with a 5800mA battery (model VW-VBG6PPK); metadata recording; and a wireless infrared remote controller.

Panasonic will support the AG-AF100 with a three-year limited warranty (one year plus two extra years upon registration) upon registration of the camera with the PASS customer support program.

In fact the spec sheet is impressive all round, with only the dual-LED flash – rather than Xenon – being a low point. It’ll supposedly record stereo audio and support auto-focus and macro shots, while there’s an optional WiFi-enabled microSD card for throwing wireless into the mixture as well. That memory card slot boosts the 4GB of onboard storage.

It’s ambitious stuff, and we can’t help but suspect that the Poco Pro is trying to do too much at once. A 14-megapixel CMOS sensor of the small size required to fit into a 85.6 x 54 x 5 mm casing is probably not going to be great at dealing with normal lighting, and the £200 price tag seems over-ambitious. Iain Sinclair is taking £100 ($154) deposits on the first units now, but we’ll wait until the reviews come through before getting over-excited.

[via Gizmag]