Sony has taken a scalpel to the a7, chopping open its full-frame mirrorless camera to show off what's going on inside the unusual shooter. The video - which also shows the results of cutting a Vario-Tessar FE 24-70mm F4 ZA OSS lens in half like a sub - gives an inkling of just how crammed the camera's internals are.
Ushering out the week this Friday evening is a homemade digital photography oddity, the NOT-A-CAMERA. Unlike what its name suggests, the NOT-A-CAMERA is, in fact, a digital camera, only one that hides within a 2D etched wood block that, we're guessing, would get you more than a couple side glances when out and about.
Sony has revealed the new Alpha A77 II DSLR, updating the A77 and A700 with a new autofocus system, BIONZ X processing, and a claimed 20-percent bump in light sensitivity over its predecessor. The new camera now packs a 79-point phase detection AF system and supports up to f/2.8 aperture, while the sensor is 24.3-megapixels as per the old version, albeit with a new structure that Sony claims makes it considerably more precise than the outgoing camera.
Leica is ushering in its 100th birthday with the announcement of a new sleek aluminum camera, the Leica T. With this camera comes a decidedly minimalistic design, as well as an interchangeable-lens setup and a position within the company's product line up that is betwixt the M and S Series'.
Lytro's second-generation light-field camera, the Illum, is already prompting controversy among photography fans, with the prospect of a new type of post-processing from what was originally dismissed as a toy. Promising four times the resolution of the first Lytro, the Illum also looks the part: a menacing stealth-black camera that looks like a Sony NEX turned evil. Still, is the world ready for light-field photography, and is it any good?