The X100S takes the fundamentals of the original X100 and then bumps up the sensor, but it’s the on-sensor phase detection autofocus that makes the big difference in the hand. Fujifilm claims it’s now the world’s fastest, in fact, and it’s certainly clear from the moment you start snapping that the whole process is improved. Even the time to turn on and be ready for shooting has been trimmed.

Manual focus is also refined, with a new UI that combines the full frame and a magnified portion, while the electronic viewfinder has jumped in resolution, from 1.4m dots to a far more detailed 2.35m. However, the buttons, dials, and other controls are still the same as on the X100, which should make transitioning from one camera to the other more straightforward.

As for the X20, that does away with the X10 and introduces a new sensor, the X-Trans CMOS measuring in at 2/3-inch and 12-megapixels. It keeps the zoom lens – no great hardship, given the X10′s 28-112mm equivalent zoom was speedy and satisfying already – and F2-2.8 aperture, as well as the neat power control triggered by winding the zoom ring right back in.

The X-Trans sensor uses the same color filter array as in the X100S (and, indeed, the well-esteemed X-Pro1 rangefinder) and a backside-illuminated sensor, rather than the X10′s more pedestrian system, and the upshot should be crisper shots and improved low-light performance. At $600 – versus the X100S’s $1,300 sticker – it’s also something of a bargain.

We caught up with the Bonzart (GDC) team at the CP+ camera show in Japan this week to have a look at the Ampel, which is available in the US, Japan, and UK. Styled and operated like a twin-lens dual reflex camera, the Ampel has a flip-up panel on top revealing a color display, as well as dedicated mode dials on the side for each of the lenses.

One of those lenses shoots normal images – albeit with the choice of either 4:3 or 1:1 (i.e. square) aspect ratio – while the other shoots tilt-shift images, making everything look like a miniatures scene. Up to 5-megapixels images can be captured, or up to 720p HD video, and there’s a 4x digital zoom though no optical zoom.

What you can do is snap on a magnetic wide-angle lens, which fits to either the regular or tilt-shift lenses. If the unusual aspect ratio isn’t enough for you, you can also apply some integrated effects: there’s standard, vivid, B&W, sepia, and “refreshing” to choose between. Storage is courtesy of a SD card up to 32GB.

It might not be the first camera you reach for to take wedding photos, but for a party the Ampel is certainly unique enough to stand out. Plus, with dedicated tilt-shift lenses running at around $300, the $200 Bonzart camera is practically a bargain.

Both camera models feature the Exilim Engine HS Version 3, which enables a high-speed burst mode. There’s a Triple Shot function, which – as its name suggests – allows users to take three images per shutter press, ideal for those times when the subject is in action. Photographs that have been taken are displayed on a portion of both cameras’ LCDs while the rest of the display continues to function as a viewfinder, allowing for simultaneous review and image taking. Both models support Eye-Fi and Flash Air for wireless image transfer.

The EX-ZR700 features a startup time of 1.4 seconds, an auto focus speed of 0.18 seconds, a capture interval of 0.26 seconds, and a shutter response speed of 0.016 seconds. The EX-ZR400 is a tad faster, with a startup time of 0.99 seconds, an auto focus speed of 0.14 seconds, a capture interval time of 0.26 seconds, and a shutter response speed of 0.015 seconds. There’s an All-in-Focus Macro mode, which takes multiple images at different focuses, then combines them into a single image where all aspects are in focus. Another similar feature is Blurred Background, which places a soft blur on a photograph’s background.

The EX-ZR700 features a 25mm wide-angle lens, as well as 18x optical zoom and lens shift image stabilization for crisp images. With Multi-Frame SR Zoom technology, the camera’s total zoom is 36x. Casio states that even when using the long-zoom, images still come out blur-free. The model features a 3-inch, 920k LCD display.

The EX-ZR400′s biggest feature is its long battery life, which allows users to take approximately 515 photos per charge, making it ideal for vacations, hiking, or other situations where charging is inconvenient. This model features a 24mm wide-angle lens and 12.5x optical zoom, with a total zoom of 25x via Multi-Frame SR Zoom technology.

[via Casio Europe]

The 30mm f/1.4 lens is designed for large-aperture APS-C format cameras, and the angle of view is equivalent to 45mm on a 35mm camera. The lens promises to deliver the highest level of image quality, thanks to a Hyper Sonic Motor for quiet, high-speed autofocusing, as well as a 9-blade rounded diaphragm that creates a bokeh effect. It also has a brass bayonet mount designed to withstand long-term use. The lens has been specifically optimized to reduce field curvature and improve focusing capabilities.

The 60mm f/2.8 DN lens is designed for Micro Four Thirds cameras, as well as Sony E-mount shooters. It has an angle of view equivalent to 120mm on the Micro Four Thirds system and 90mm on the E-mount system (35mm equivalent focal length). The lens contains Special Low Dispersion (SLD) glass, which helps minimize chromatic aberration. The lens is specifically created for telephoto shooting and portrait work, and it will be available in both silver and black.

Sigma’s other new 30mm lens is a f/2.8 lens also meant for Micro Four Thirds and Sony E-mount cameras. This lens is meant for everyday shooting and is engineered as an all-around lens that you can anywhere. It’s also perfect for casual and formal portraiture, and documentary photography. The lens includes a double-sided aspherical lens that improves its optical performance.

Last, but not least, the 19mm f/2.8 DN is yet another Micro Four Thirds and E-mount lens that has an angle of view equivalent to 38mm on the Micro Four Thirds system and 28.5mm on the E-mount system (35mm equivalent focal length). This lens is designed for street shooting, as well as landscape, architecture, and studio work.

Pricing and availability on these lenses have yet to be disclosed, but Sigma says that the 30mm f/1.4 lens is expected to arrive in a couple of months, while we have yet to hear a release window for the other three lenses.

First up is the F850EXR, which features a 16-megapixel EXR-CMOS sensor, EXR Processor II, and 20x optical zoom. With the EXR Processor II, which is said to have double the processing speed of the first gen processor, the F850EXR has a focus speed of 0.21 seconds, startup time of 1.1 seconds, and 0.5 second shot interval. Videos can be recorded in full HD at 60fps via a dedicated recording button. Sound is recorded in stereo via an integrated stereo mic.

Meanwhile, the F900EXR has some upgrades over the 850, offering a 16-megapixel EXR-CMOS II backside illuminated sensor and EXR Processor II, which offers a 1.1 second startup speeds and 0.5 shot interval. The F900EXR offers Phase Detection auto focus as part of the Intelligent Hybrid AF system, allowing for focus speeds of only 0.5 seconds.

One of the 900 model’s best features is its support for wireless photo transfer to mobile devices and computers. Both PC software and mobile apps are available for photo backup syncing to devices. Image recording is similar to the 850, offering full HD video at 60fps utilizing Phase Detection AF and a dedicated recording button. For now, there’s no word on when we’ll see these two models on store shelves.

[via Fujifilm]

First up are the entry-level FinePix S4600, S4700, and S4800 models, bridge models part of Fujifilm’s 2013 spring lineup. All three cameras are designed to be compact and simple to use, offering high zoom rates. The S4600 offers 26x optical zoom, the S4700 offers 28x optical zoom, and the S4800 offers 30x zoom. Each model features OIS sensor shift for clear images.

Likewise, all three cameras feature 16 megapixel CCD sensors, 6 image modes, 0.3 second auto-focus and startup time of just 1.3 seconds. Videos can be recorded in up to 720p at 30fps, then played back on a TV or monitor via a mini HDMI port. Power comes via 4 AA-batteries, with 320 shots per charge, assuming rechargeable batteries are used.

Jumping to the next batch, we have the S6600, S6700, and S6800. The models have, in order, 26x, 28x, and 30x optical zoom, in addition to a super high ISO of 12,800, OIS sensor shift for blur-free images, and a Super Macro mode that can take images as close as 2 centimeters away. All three feature 16-megapixel sensors and a 1-second startup.

As for video recording, all three cameras offer 1080i full HD recording at 60fps with stereo audio. There’s a dedicated video recording button, removing the need to toggle a dial or menu. In addition to the full HD mode, there’s also slow-motion video recording available at 480fps. Still images can be taken while recording video. Sound intriguing? You can check out the cameras’ bizarre promotional video above.

[via Fujifilm]

This lens will be shipping in March of 2013 and will have its own unique (and optional) hood (LH-61E), case (LSC-0918), and protection filter (PRF-D58 PRO). Combined with the fabulous Olympus OM-D and its 5axis IS, you’ll be working with no less than what Olympus tags as hand-held super zoom shooting – capture the Birds of Paradise with ease. The images you see above and below are connected to the OM-D as well – bask in the lovely glow of this hot combination.

This lens has a 16 – 4.1 degree angle of view, 18 lens throughout it in 13 groups including a Super ED lens, 2ED lenses, and 3 HR lenses, and its all works as micro four-thirds system standard – connect at will. The focal length of 75-300mm on this beast is equivalent to a 35mm 150-600mm, and you’ll find that the closest focusing distance you’re going to get is 0.9m – that’s with 75mm focal length. When you’re outside of a 75mm focal length, you’ll be focusing in at 1.5m at least.

The maximum aperture on this amalgamation of photography excellence is f4.8 at 75mm and f6.7 at 300mm, while the minimum aperture is always f22. The diameter you’re working with for filters is 58mm while the actual final size of the lens is 69 (diameter) x 116.5mm, with a final weight at 423g. Inside the box you’re going to get a front Lens Cap (LC-58E), Lens Rear Cap (LR-2), and both an instructions manual and an Olympus Worldwide Warranty Card. This lens will be available in March of this year for an estimated price of $549.99 USD – get pumped up!

The WG-3 and WG-3 GPS models are both waterproof to depths of 46 feet (14 meters) and shockproof against drops from heights up to 6.5 feet (2 meters). Both can withstand temps down to 14F (-10C). The big difference between the models is indicated by their names – the WG-3 GPS model can add position and travel log data to images via GPS capabilities. Likewise, the GPS model features wireless recharging, a digital compass, and a gauge showing water depth, altitude, and pressure.

Both cameras feature video recording in up to full 1080p HD, as well as a 3-inch LCD display covered with anti-reflection coating to reduce glares and difficulty seeing. The 16-megapixel CMOS sensor is backlit, there are 12 digital image filters and 16 shooting modes, and support for Eye-Fi wifi SD cards. Because the camera is designed to be rugged, it only makes sense that Pentax included a carabiner strap for both models.

To keep images from coming out blurry, the WG-3/GPS models feature 9-point auto focus, as well as spot auto focus and auto tracking AF. There’s sensor-shift shake reduction, as well as high-sensitivity digital reduction. Both models will be released in April, with the WG-3 being priced at $299.95, and the WG-3 GPS being priced at $349.95.

[via Pentax]

The WG-10 is a compact, lightweight camera offerings basic specs, making it an underwater-capable point-and-shoot that can be easily pocketed and pulled out for impromptu images. The camera can be taken to water depths of nearly 33 feet (10 meter), and can withstands drops from nearly 5 feet (1.5 meters). Likewise, it can handle temperatures down to 14 degrees Fahrenheit.

In addition, the WG-10 is crush-proof with up to 100 kilograms of force and dustproof, being tested at JIS Class 6. The battery offers 2 hours of continuous use, and a Digital Microscope mode that utilizes five LEDs arranged around the camera’s lens for uniform lighting. The lights are designed to illuminate brighter briefly during the shutter release in order to reduce blurs that result from slight vibrations and handshakes in macro photography.

As far as specs go, this camera from Pentax offers a 2.7-inch LCD display with a 16:9 aspect ratio and anti-reflection coating. There’s a 28mm wide-angle lens, as well as 5x optical zoom and 6.7x digital zoom. The CCD sensor clocks in at 14-megapixels, ISO ranges from 80 to 6400, and videos can be recorded in up to 720p HD. The camera is set to hit shelves in April for $179.95.

[via Pentax]

First up is the PowerShot ELPH 330 HS, which features 10x optical zoom and a 12.1-megapixel High-Sensitivity CMOS sensor. The device can be paired to both Android and iOS devices for wireless image transfer, and the camera itself can be used to comment on photographs that have been uploaded to social networking websites. Its connectivity features aside, the camera boasts Canon’s HS SYSTEM, which utilizes ISO up to 6400 for the most detailed low-light shots possible. The ELPH 330 HS will be available in March in Black, Pink, and Silver for $229.99.

The PowerShot ELPH 115 IS is more of a budget camera, lacking the wireless capabilities of the aforementioned model. The device boasts a DIGIC 4 processor, as well as a 16-megapixel sensor and 8x optical zoom. There are six stabilization modes to reduce blurs. Video footage can be recorded in high definition, and there’s an Eco Mode for power conservation. The 115 IS will be available in Pink, Black, Blue, and Silver for $169.99 in March.

Finally, there’s the PowerShot A2500, an A-series camera featuring a DIGIC 4 processor and a 16-megapixel sensor. The lens is a 28mm wide-angle that extends to 140mm with 5x optical zoom. Video can likewise be recorded in high definition, and images will come out as crisp as possible via Digital IS, which counters shake and subject blurs. Battery life can be extended via Eco Mode, and a handful of filters are in place, including Toy Camera and Fisheye. The unit will be available in March at $129.99.

Four models are being released in the S-series: the S9500, S9400, S31, and S5200. These four cameras have various features, with the S9500 offering integrated wifi and GPS, as well as 22x optical zoom. Dropping down a model, the S9400 is a basic camera with 18x zoom, a backlit CMOS sensor, and a 3-inch display. The S31 is aimed a bit more at the outdoorsy user, with the ability to withstand temps as low as 14F, water submersion to 5 meters, and a shockproof body that can handle drops from up to 1.2 meters. The S5200 boasts a slim body and slightly lower specs at 6x optical zoom. There’s likewise a backlit CMOS sensor, as well as a 26mm wide angle lens.

Two rugged compacts have been tossed into the mix: the AW110 and the AW110s. Both models are available in four different colors: silver, blue, orange, and black, as well as a fifth style – camouflage. Both have been designed for outdoor use in rough environments, offering integrated wifi, 16-megapixel sensors, and the ability to withstand temperatures as low as 14F. Both can be used underwater, include an altimeter, depth gauge, and atmospheric pressure display, and feature a 3-inch display. The AW110 model also features GPS for point of interest data.

There are three entry-level cameras in the L-series: the L820, L28, and L27. The L820 is a super-zoom unit offering 30x optical zoom and a 16-megapixel backlit sensor; it is available in black, red, blue, and plum. The L28 and L27, meanwhile, are both smaller pocketable compact models, with the former offering a 3-inch display and 20-megapixels and the latter offering a 2.7-inch display and 16-megapixels.

Finally, standing out amongst the other offerings is the Coolpix P520, a super-zoom digital camera offering 42x optical zoom. The unit offers a 24mm wide angle lens, lens-shift vibration reduction, a vari-angle 3.2-inch display, and an 18-megapixel CMOS sensor. There’s GPS, and support for recording in up to 1080p HD. Blurs are reduced via lens-shift vibration reduction. The device is can be used with the Wireless Mobile Adapter WU-1a, which is sold separately.

[via Nikon]